Still Life with Flowers on a Marble Tabletop

Rachel Ruysch (mentioned on object), 1716

This bouquet features more than ten species of flowers and teems with insects. As the blossoms flower at different times, it would be rather difficult to assemble such a bouquet in real life. Ruysch was well aware of this: her extensive study of live and prepared flowers allowed her to paint these vibrant bouquets with stunning precision. During her lifetime, she was one of the most celebrated painters of floral still lifes in Europe.

  • Artwork typepainting
  • Object numberSK-A-2338
  • Dimensionsheight 48.5 cm x width 39.5 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Still Life with Flowers on a Marble Tabletop

  • Object type

  • Object number

    SK-A-2338

  • Description

    Stilleven met bloemen in een glazen vaas op een marmeren tafelblad. Boeket met o.a. rozen, papavers, irissen, anjers en winde in een blauwe glazen vaas. Tussen de bloemen allerlei insecten.

  • Inscriptions / marks

    signature and date: ‘Rachel Ruysch 1716’


Creation

  • Creation

    painter: Rachel Ruysch (mentioned on object)

  • Dating

    1716

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    height 48.5 cm x width 39.5 cm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Purchased with the support of the Vereniging Rembrandt

  • Acquisition

    purchase 1908

  • Copyright


Documentation

    • A. Quarles van Ufford, 'Kunstenaars & liefhebbers, kunst uit de tijd van de Verlichting' , Museumtijdschrift, nr. 3 (2007), p. 20-23, p.22 (afb.)
    • R. Priem, 'The most excellent collection' of Lucretia Johanna van Witter', Simiolus 25 (1997) nr. 2/3, p. 187-188, cat. 34.
    • M. van Eikema Hommes en A. Wallert, ‘Een evenwichtige wemeling. Over de schildertechniek van Rachel Ruysch’, Kunstschrift 44 (2000), nr. 1, pp. 39-44
    • M.V. Eikema Hommes en A. Wallert, 'Een evenwichtige wemeling. Over de schildertechniek van Rachel Ruysch', Kunstschrift 1 (2000), p. 39-44.
    • Kunstbeeld 6 (1995), p. 47.

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