Gevel van een begroeid huis

Adriaen van Ostade, 1645 - 1655

Gevel van een begroeid huis met een bankje naast de deur.

  • Artwork typedrawing
  • Object numberRP-T-1953-221
  • Dimensionsheight 194 mm x width 165 mm
  • Physical characteristicspen in bruin, penseel in waterverf in kleuren, potlood

Identification

  • Title(s)

    Gevel van een begroeid huis

  • Object type

  • Object number

    RP-T-1953-221

  • Description

    Gevel van een begroeid huis met een bankje naast de deur.


Creation

  • Creation

    • draftsman (artist): Adriaen van Ostade
    • draftsman (artist): Cornelis Dusart
    • after drawing by Isaac van Ostade (possibly)
  • Dating

    1645 - 1655

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Material and technique

  • Physical description

    pen in bruin, penseel in waterverf in kleuren, potlood

  • Dimensions

    height 194 mm x width 165 mm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    On loan from the Dienst voor 's Rijks Verspreide Kunstvoorwerpen

  • Copyright

  • Provenance

    Inv.; collection Henry Oppenheimer (1859-1932), London, 1929;{Note RMA; note OMD volume 3.} his sale, London (Christie’s), 10 (13) July 1936 sqq., no. 276, 220 guineas, to Smith;{Copy RMA.}…; purchased from the estate of Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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