Two Dancers

attributed to Yashima Gakutei, c. 1827 - c. 1828

Twee dansers met strooien hoeden, voeren de mussendans uit. De goud gestreepte achtergrond stelt de tralies van de vogelkooi voor waar de mussen in zitten. Dit is het bovenste linkerblad van een zesluik (drie naast elkaar en drie onder elkaar). Met twee gedichten.

  • Artwork typeprint, surimono
  • Object numberRP-P-1999-241
  • Dimensionsheight 203 mm x width 184 mm
  • Physical characteristicsnishikie, with metallic pigments

Yashima Gakutei (attributed to)

Two Dancers

Japan, Japan, c. 1827 - c. 1828

Inscriptions

  • collector's mark, verso, stamped

Provenance

…; purchased from the dealer Bernard Haase, London, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1997;1Coll. cat. Goslings 2004, p. 8, cat. no. 317 by whom donated to the museum, 1999

Object number: RP-P-1999-241

Credit line: Gift of J.H.W. Goslings, Epse


Context

Hexaptychs in this format, arranged as two triptychs top and bottom, are rare in Japanese prints. The only other example that comes to mind is a splendid design by Utamaro of a scene above and below a bridge issued by Omiya Gonkuro around the mid-1790s.2Shibui, Kiyoshi, Ukiyoe zuten, 13: Utamaro. Tokyo: Kazama shobo, 1964, p. 19-1 and 2.

For other sheets of this hexaptych, see:
Top right (unsigned)3Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232.,4Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 89.,5Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, p. 82., MMA JP3606 and JP3607 (unsigned)

Top centre6Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232. (signed Gakutei),7Japanese Prints, Illustrated Books and Paintings /.../ 15 December 1988. London: Sotheby's London, 1988, p. 335. (unsigned)

Top left: MMA JP3606 and JP3607 (unsigned)

Button right (unsigned)8Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 88.

Bottom centre9Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232. (signed Gakutei),10Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 90. (unsigned)

Bottom left11Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12-15 décembre 1977. Paris: 1977, p. 92. (signed Gakutei),12Bowie, Theodore, et al.,Art of the Surimono. Bloomington: Indiana University Art Museum, 1979, p. 55. (unsigned), MMA JP1250 (unsigned).


The artist

Biography

Yashima Gakutei (1786?-1868), a pupil of Totoya Hokkei, was also strongly influenced by Katsushika Hokusai. He used the art-names Harunobu, Sadaoka and Yashima. In addition to his designs for surimono and kyoka collections - he was probably the most prolific designer in this genre – he was also a poet and writer as well as a great Sinologist.


Entry

Two men wearing straw hats and boldly patterned coats dancing on a background of vertical golden bands.

Print from the hexaptych A Series of Six Prints for the Katsushika Poetry Club, Katsushika Rokubantsuzuki.

This is the top left sheet of a hexaptych composition, showing men performing the Sparrow dance, Suzume odori. The gold bands and the broad black border supposedly suggest a birdcage: the men are actually caught in a cage. The emblem of the Katsushika poetry club appears on the dancers' coats.

Apparently, there were at least two editions of this design, one with the signature Gakutei on some of the sheets, while the signature is sometimes lacking on the other edition. A signature on the bottom left sheet would normally have sufficed on a design like this.

Two poems by Bunmeisha —maru and Ban—an Toso. Both poems refer to the 'Sparrow dance in Spring'.

This hexaptych composition was issued for the Katsushikaren, a club of poets who usually commissioned designs for their surimono series from Gakutei. However, the poet Amanoya Wakashiba, primarily associated with the Hisakatayaren, also appears to be included among the commissioning poets, as is often the case with editions by the Katsushikaren.

Issued by the Katsushikaren
Unsigned (this sheet)


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 455


Citation

M. Forrer, 2013, 'attributed to Yashima Gakutei, Two Dancers, Japan, c. 1827 - c. 1828', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200413486

(accessed 10 December 2025 13:04:47).

Footnotes

  • 1Coll. cat. Goslings 2004, p. 8, cat. no. 317
  • 2Shibui, Kiyoshi, Ukiyoe zuten, 13: Utamaro. Tokyo: Kazama shobo, 1964, p. 19-1 and 2.
  • 3Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232.
  • 4Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 89.
  • 5Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, p. 82.
  • 6Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232.
  • 7Japanese Prints, Illustrated Books and Paintings /.../ 15 December 1988. London: Sotheby's London, 1988, p. 335.
  • 8Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 88.
  • 9Graupe, Paul, Japansammlung Exz. Solf† Berlin. Farbenholzschnitte, Surimono, Chawan, Netsuke und Kakemono. Berlin /.../ 19.Juni 1936. Berlin: Paul Graupe, 1936, p. 232.
  • 10Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12?15 décembre 1977. Paris: 1977, p. 90.
  • 11Boisgirard, Claude and Axel de Heeckeren, Très importante collection de 750 surimono, de calendriers, de nagaye, et d’oban. Paris, Drouot, 12-15 décembre 1977. Paris: 1977, p. 92.
  • 12Bowie, Theodore, et al.,Art of the Surimono. Bloomington: Indiana University Art Museum, 1979, p. 55.