The Beach at Scheveningen

Johannes Bosboom (mentioned on object), 1873

Johannes Bosboom discovered the bathing resort of Scheveningen while on holiday in 1873. Until then, the usually sombre artist had mainly painted solemn church interiors. That summer his spirits revived completely, resulting in several works, including this wide panorama. Boats, fishwives, churchgoers, donkeys waiting for rides and on the right, Nieuw-Soetenburgh, a summer residence demolished in 1853, which Bosboom may have copied from an old illustration.

  • Artwork typedrawing, aquarel
  • Object numberSK-A-3646
  • Dimensionsheight 355 mm x width 552 mm
  • Physical characteristicspenseel in kleuren, waterverf, witte dekverf, zwart krijt

Identification

  • Title(s)

    The Beach at Scheveningen

  • Object type

  • Object number

    SK-A-3646

  • Inscriptions / marks

    signature: ‘J.Bosboom’


Creation

  • Creation

    draftsman (artist): Johannes Bosboom (mentioned on object), Netherlands

  • Dating

    1873

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Material and technique

  • Physical description

    penseel in kleuren, waterverf, witte dekverf, zwart krijt

  • Dimensions

    height 355 mm x width 552 mm


This work is about

  • Subject

  • Place


Exhibitions


Acquisition and rights

  • Credit line

    Mr and Mrs Drucker-Fraser Bequest, Montreux

  • Acquisition

    bequest 1944

  • Copyright

  • Provenance

    …; on loan from Jean Charles Joseph Drucker (1862-1944, Montreux) and Maria Lydia Drucker-Fraser (1886-1944, Montreux), with 204 other drawings, to the museum, 1919;{Note RMA.} by whom bequeathed, with 204 other drawings, to the museum, 1944

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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