Hanger met ineengesloten handen

anoniem, anoniem, anonymous, anonymous, c. 1580 - c. 1600

Pendant, bridal gift. Gold, gems including a table-cut diamond, pearls and enamel. Southern Germany, c. 1580-1600.

Identification

Title(s)
Hanger met ineengesloten handen
Object type
Object number
BK-17064
Description
Hanger, bruidsgeschenk, van goud, email, parels en diamanten. In het midden een grote diamant waar omheen twee handen.
Catalogue reference
'Renaissance juweel', De Rijksmuseum Kunstkrant 19 (1994) nr. 5, p. 8-9.

Creation
- jeweler: anonymous, Southern Germany
- jeweler: anoniem, Southern Germany
Dating
c. 1580 - c. 1600
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Copyright
Public domain
Provenance
…; collection Eugen Gutmann (1840-1925), Munich, 1912;{Von Falke 1912, p. 6, no. 8, image 6.} …; from Dr Fritz Mannheimer (1890-1939), Amsterdam and Paris, fl. 6,350,000, en bloc, to Artistic & General Securities Ltd. as security for a loan from the Mendelssohn & Co. Bank, but kept in usufruct, 1934;{NHA, 476, RMA Archive, inv. no. 2142, Recapitulatie der geïnventariseerde kunstvoorwerpen van wijlen Dr F. Mannheimer, undated, p. 34, no. Pr 23, Artistic no. 15/21; NHA, 233, Arrondissementsrechtbank Amsterdam, inv. no. 1365, “O.R. 256/1939, Faillissementsdossier: nalatenschap Dr. F. Mannheimer, 28 augustus 1939”, image 3, page 2.} purchased from Mendelssohn & Co. Bank, en bloc, by the Dienststelle Mühlmann, The Hague, for Adolf Hitler's Führermuseum, Linz, 1940;{Korthals Altes 1974, pp. 21-22.} war recuperation, SNK, 1945;{HNA, SNK Archive, 2.08.42, inv. no. 548.} on loan, with 1,702 other objects, from the DRVK to the museum, 1952;{Note RMA.} transferred to the museum, 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.