Schattenschip

Katsushika Hokusai (vermeld op object), 1799

Een schat schip (takarabune) gemaakt van bamboe gevuld met nieuwjaarsgaven, onder andere waaiers. Boven het schip een vlieger met een afbeelding van een kraanvogel. Een kalenderblad voor het jaar 1799. De lange maanden zijn afgebeeld in één van de waaiers. Met drie gedichten.

  • Soort kunstwerkprent, surimono
  • ObjectnummerRP-P-1991-629
  • Afmetingenblad: hoogte 140 mm x breedte 187 mm
  • Fysieke kenmerkenkleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

Katsushika Hokusai

The Treasure Ship

Japan, Japan, Japan, Japan, 1799

Provenance

…; purchased from the dealer Hotei Japanese Prints, Leiden, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1987;1Coll. cat. Goslings 1999, p. 24, cat. no. 35 by whom donated to the museum, 1991

Object number: RP-P-1991-629

Credit line: Gift of J.H.W. Goslings, Epse


Context

For more on the Seven Gods of Good Fortune or Luck, the Shichifukujin, a popular group of household deities, see RP-P-1962-331.

For further notes on Shibanoya Sanyo as a selector and/or publisher of volumes of kyoka poetry, see RP-P-1991-451 and as a designer of surimono, see RP-P-1995-301 and RP-P-1958-527.


The artist

Biography

Katsushika Hokusai (1760-1849) first studied with Katsukawa Shunsho but later developed his own style. He was occasionally influenced by various other traditions, and designed thousands of calendar prints and surimono from 1787 until about 1810. His surimono production diminished in the 1810s but he resumed his former output between 1321 and 1825. He is best known for his landscape prints of the 1830s.


Entry

A treasure ship made of a bamboo basket used for gathering herbs, mushrooms and the like, the mast consisting of a ruler, the calligraphy on the sail reading 'gold' (kin?), the paper folder containing chopsticks inscribed with 'chopstick shop', ohashidokoro. Two fans at the stern of the ship. In the ship pots and several rolls of cloth. A kite with a painting of a crane flying overhead against a red sun, its bobbin lying beside the ship.

Popular belief holds that the Seven Gods of Fortune of Japan sail into the harbour on New Year's Day aboard the 'Treasure Ship', Takarabune. Thus, these gods are normally depicted as the passengers in traditional images of the Treasure Ship. Such images were placed under one's pillow on New Year's Eve to ensure a Lucky Dream of Mount Fuji, a falcon and eggplants (cf. RP-P-1958-270, for a representation of such a picture and a pillow, and RP-P-1991-651, for allusions to the First Lucky Dream, hatsuyume).

The rolls of cloth and the pots probably signify the treasures, takaramono, brought by the gods. The folded paper representing the boat's figurehead has an inscription explaining that it contains chopsticks, possibly made by one of the poets represented on this print.

The numerals for the long months of 1799, 1, 5, 6, 8, 10 and 11, appear in gold on one of the fans.

Three poems by Kasugano Michikusa, Matsukaze Otonari and Sanyodo [Sanyo, later Tamashiba Sanyodo, Shibanoya Sanyo or also Kamon, studied with Shinratei Manzo, a judge of the Yomogawa from 1796, d. c. 1836].2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 83.

Issued by the poets
Signature reading: Sori aratame (changed his name to) Hokusai ga
Produced by the Shuchodo [Monoyana, the poet] Studio, seal reading: Shuchodo


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 91


Citation

M. Forrer, 2013, 'Katsushika Hokusai, The Treasure Ship, Japan, 1799', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200467463

(accessed 8 December 2025 21:01:01).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 24, cat. no. 35
  • 2Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 83.