Aan de slag met de collectie:
Gezicht op een boerenerf
Jan van Kessel, na 1665 - 1669
- Soort kunstwerktekening
- ObjectnummerRP-T-1899-A-4280
- Afmetingenhoogte 200 mm x breedte 298 mm
- Fysieke kenmerkenzwart krijt, met grijze inkt; kaderlijnen in bruine inkt (links, rechts, en onder) en bruine inkt en grafiet (boven)
Ontdek verder
Identificatie
Titel(s)
Gezicht op een boerenerf
Objecttype
Objectnummer
RP-T-1899-A-4280
Onderdeel van catalogus
Vervaardiging
Vervaardiging
tekenaar: Jan van Kessel
Datering
na 1665 - 1669
Zoek verder op
Materiaal en techniek
Fysieke kenmerken
zwart krijt, met grijze inkt; kaderlijnen in bruine inkt (links, rechts, en onder) en bruine inkt en grafiet (boven)
Afmetingen
hoogte 200 mm x breedte 298 mm
Dit werk gaat over
Onderwerp
Verwerving en rechten
Credit line
Aankoop met steun van de Vereniging Rembrandt
Verwerving
aankoop 1899-12
Copyright
Herkomst
…; collection Cornelis Ploos van Amstel (1726-98), Amsterdam (L. 3002-4); his sale, Amsterdam (P. van der Schley et al.), 3 March 1800 sqq., Album L, no. 35 (‘Een boeren Werf, met Geboomten, Schuuren en Woningen; zeer natuurlyk met O.I. Inkt, door J. van Kessel.’), fl. 38, to ‘Roos’;{Copy RKD.} …; collection Jacob Helmolt (1747-1808), Haarlem (L. 2986b);{Not in his sale, Amsterdam (P. van der Schley et al.), 11 April 1810 sqq.} …; ? sale, B. de Bosch (1742-1816, Amsterdam), Amsterdam (P. van der Schley et al.), 10 March 1817, Album A, no. 32 (‘Jan van Kessel. Gezigt van eene boerenwerf met houten schuren en hoog geboomte, als boven, h. 7 ¾, br. 11 5/8 d.’), fl. 37:10, to Abraham Jacob Saportas (1777-1836, Amsterdam);{Copy RKD.} ? his sale, Amsterdam (De Vries et al.), 14 May 1832, Album G, no. 41 (‘Een Boerenwerf, als voren, […] door J. van Kessel’) fl. 4, to Albertus Brondgeest (1786-1849, Amsterdam);{Copy RKD.} …; sale, Jacob de Vos Jbzn (1803-78, Amsterdam), Amsterdam (C.F. Roos et al.), 22 May 1883 sqq., no. 266 (‘Jean van Kessel. Fossé au centre d’un Village. - Cour d’une Ferme. - Deux dessins. A la pierre noire et à l’encre de Chine’), fl. 64, to Henri Duval, Liège;{Copy RKD.} …; collection William Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2643); his sale, Amsterdam (F. Muller), 25-6 June 1895, no. 356, fl. 10, with the support of the Vereniging Rembrandt, to the museum (L. 2228), 1899
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Jan van Kessel
View of a Farmyard
after 1665 - 1669
Inscriptions
Technical notes
watermark: none
Condition
Various brown spots
Provenance
…; collection Cornelis Ploos van Amstel (1726-98), Amsterdam (L. 3002-4); his sale, Amsterdam (P. van der Schley et al.), 3 March 1800 sqq., Album L, no. 35 (‘Een boeren Werf, met Geboomten, Schuuren en Woningen; zeer natuurlyk met O.I. Inkt, door J. van Kessel.’), fl. 38, to ‘Roos’;1Copy RKD. …; collection Jacob Helmolt (1747-1808), Haarlem (L. 2986b);2Not in his sale, Amsterdam (P. van der Schley et al.), 11 April 1810 sqq. …; ? sale, B. de Bosch (1742-1816, Amsterdam), Amsterdam (P. van der Schley et al.), 10 March 1817, Album A, no. 32 (‘Jan van Kessel. Gezigt van eene boerenwerf met houten schuren en hoog geboomte, als boven, h. 7 ¾, br. 11 5/8 d.’), fl. 37:10, to Abraham Jacob Saportas (1777-1836, Amsterdam);3Copy RKD. ? his sale, Amsterdam (De Vries et al.), 14 May 1832, Album G, no. 41 (‘Een Boerenwerf, als voren, […] door J. van Kessel’) fl. 4, to Albertus Brondgeest (1786-1849, Amsterdam);4Copy RKD. …; sale, Jacob de Vos Jbzn (1803-78, Amsterdam), Amsterdam (C.F. Roos et al.), 22 May 1883 sqq., no. 266 (‘Jean van Kessel. Fossé au centre d’un Village. - Cour d’une Ferme. - Deux dessins. A la pierre noire et à l’encre de Chine’), fl. 64, to Henri Duval, Liège;5Copy RKD. …; collection William Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2643); his sale, Amsterdam (F. Muller), 25-6 June 1895, no. 356, fl. 10, with the support of the Vereniging Rembrandt, to the museum (L. 2228), 1899
Object number: RP-T-1899-A-4280
Credit line: Purchased with the support of the Vereniging Rembrandt
The artist
Biography
Jan van Kessel (Amsterdam, 1641 - Amsterdam, 1680)
He was born to the framemaker Thomas Jacobsz. van Kessel (?-?) and Neeltje Henrix (?-?) and baptized in the Nieuwe Kerk in Amsterdam on 22 September 1641.6Amsterdam, Stadsarchief, DTB Dopen, archiefnummer 5001, inventarisnummer 42, blad p. 273, aktenummer DTB 42. In 1668, he married Clara Swichters (?-?).7Amsterdam, Stadsarchief, Ondertrouwregister, archiefnummer 5001, inventarisnummer 491, blad p. 342, aktenummer DTB 491. The couple had several children, but only one son, Isaac (1670-?), made it to adulthood.8A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 14-17.
Based on stylistic evidence, Van Kessel probably trained with Jacob van Ruisdael (1628-1682). He was friends with fellow artist Meindert Hobbema (1638-1709), the only documented student of Ruisdael.9Hobbema acted as the godfather to Van Kessel’s son Thomas (1675-? 1676), and in 1690, ten years after Van Kessel’s death, he became the legal guardian of Isaac van Kessel; cf. Ibid, pp. 15, 29. Van Kessel painted mainly townscapes and panoramic views. He occasionally copied whole compositions by Ruisdael, but more often he imitated the styles of contemporaries such as Hobbema, Allart van Everdingen (1621-1675), Jan Wijnants (1632-1684) and Jan van de Capelle (1626-1679).10Ibid., p. 2. As a result, his work is often catalogued under the wrong name. He is also confused with other minor artists in Ruisdael’s circle, such as Jan van de Meer II (1656-1705), Isaac Koene (1637/40-1713), Jacob Salomonsz van Ruysdael (1629/30-1681) and Anthonie van Borssom (1630-1677).11A. Davies, ‘Kessel, Jan (Johan) van’, Grove Art Online, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000046340, accessed 15 June 2020. His earliest known dated works are from 1661, but the Fondation Custodia in Paris holds a sketchbook that probably dates from c. 1659-66 (inv. no. 2006-T.30).12J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, p. 88.
As a draughtsman, Van Kessel worked primarily in black chalk and grey wash and emulated Ruisdael’s mature drawing style. His drawn oeuvre consists of townscapes, tree studies and farmsteads. Some of these sheets are studies for his paintings.13A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 81-93. He went on several trips through the Netherlands to draw, occasionally accompanied by Hobbema, who recorded some of the same sites.14Ibid., p. 88.
Van Kessel is often confused with the Flemish painter Jan van Kessel (1626-1679) with whom he bears no familial relationship. The Dutch Van Kessel died at the age of thirty-nine and was buried at the Nieuwezijdskapel in Amsterdam on 24 December 1680.
Carolyn Mensing, 2020
References
U. Thieme and F. Becker, Allgemeines Lexikon der bildenden Künstler: Von der Antike bis zur Gegenwart, 37 vols., Leipzig 1907-50, XX (1927), p. 202; A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992; J. Briels, Peintres flamands au berceau du Sie`cle d’Or hollandais, Antwerp 1997, p. 347; A.I. Davies, ‘Kessel, Jan [Johan] van’, in J. Turner (ed.), The Dictionary of Art, 34 vols., London/New York 1996, XVII, p. 920; J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, pp. 81-93
Entry
This drawing is very similar in its use of media, format and drawing style to two other sheets by Jan van Kessel; one in the Rijksmuseum’s collection (inv. no. RP-T-1889-A-2034) and the other in the Kupferstichkabinett in Berlin (KdZ 13038).15A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, nos. d56 and d58, pls. 239 and 241. In his review of Davies’s publication, Giltaij (correctly, in this author’s opinion) does not attribute the fourth drawing mentioned by Davies, a sheet with Sheds under a Tree in the musée des Beaux-Arts et d'Archéologie in Besançon,16A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, no. d59, pl. 242. to Van Kessel.17J. Giltaij, ‘Review of A.I. Davies, Jan van Kessel’, The Art Bulletin 76 (1994), no. 4, p. 720. The drawings in this ‘group’ are made with strong lines in black chalk and finished with grey wash for the shadows. Van Kessel might have drawn the outlines in situ and finished the drawings in his workshop. Davies dated the three sheets after 1665.
Ingrid Oud, 2000
Literature
A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, no. d57. pl. 240
Citation
I. Oud, 2000, 'Jan van Kessel, View of a Farmyard, after 1665 - 1669', in J. Turner (ed.), Dutch Drawings of the Seventeenth Century in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200141348
(accessed 8 December 2025 12:36:48).Footnotes
- 1Copy RKD.
- 2Not in his sale, Amsterdam (P. van der Schley et al.), 11 April 1810 sqq.
- 3Copy RKD.
- 4Copy RKD.
- 5Copy RKD.
- 6Amsterdam, Stadsarchief, DTB Dopen, archiefnummer 5001, inventarisnummer 42, blad p. 273, aktenummer DTB 42.
- 7Amsterdam, Stadsarchief, Ondertrouwregister, archiefnummer 5001, inventarisnummer 491, blad p. 342, aktenummer DTB 491.
- 8A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 14-17.
- 9Hobbema acted as the godfather to Van Kessel’s son Thomas (1675-? 1676), and in 1690, ten years after Van Kessel’s death, he became the legal guardian of Isaac van Kessel; cf. Ibid, pp. 15, 29.
- 10Ibid., p. 2.
- 11A. Davies, ‘Kessel, Jan (Johan) van’, Grove Art Online, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000046340, accessed 15 June 2020.
- 12J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, p. 88.
- 13A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 81-93.
- 14Ibid., p. 88.
- 15A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, nos. d56 and d58, pls. 239 and 241.
- 16A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, no. d59, pl. 242.
- 17J. Giltaij, ‘Review of A.I. Davies, Jan van Kessel’, The Art Bulletin 76 (1994), no. 4, p. 720.











