Aan de slag met de collectie:
Weg langs een bos
toegeschreven aan Jan van Kessel, na 1665 - 1680
- Soort kunstwerktekening
- ObjectnummerRP-T-1902-A-4566
- Afmetingenhoogte 159 mm x breedte 209 mm
- Fysieke kenmerkenzwart krijt, met penseel en grijze inkt; kaderlijnen in grijze inkt
Ontdek verder
Identificatie
Titel(s)
Weg langs een bos
Objecttype
Objectnummer
RP-T-1902-A-4566
Onderdeel van catalogus
Vervaardiging
Vervaardiging
- tekenaar: toegeschreven aan Jan van Kessel
- tekenaar: Jacob Isaacksz van Ruisdael [verworpen toeschrijving]
Datering
na 1665 - 1680
Zoek verder op
Materiaal en techniek
Fysieke kenmerken
zwart krijt, met penseel en grijze inkt; kaderlijnen in grijze inkt
Afmetingen
hoogte 159 mm x breedte 209 mm
Dit werk gaat over
Onderwerp
Verwerving en rechten
Credit line
Aankoop met steun van de Vereniging Rembrandt
Verwerving
aankoop 1902
Copyright
Herkomst
…; collection William Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2643); his sale, Amsterdam (F. Muller), 25-26 June 1895, no. 569, fl. 100, to the dealer C.F. Roos (Amsterdam);{Copy RKD.} from whom, fl. 115, with the support of the Vereniging Rembrandt, to the museum (L. 2228), 1902, as Jacob van Ruisdael
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Jan van Kessel (attributed to)
Road through a Wooded Landscape
after 1665 - 1680
Inscriptions
inscribed on verso, in pencil: lower left, 290; lower centre, 574; above that, in a modern hand, J. v Ruysdael
Technical notes
watermark: none
Provenance
…; collection William Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2643); his sale, Amsterdam (F. Muller), 25-26 June 1895, no. 569, fl. 100, to the dealer C.F. Roos (Amsterdam);1Copy RKD. from whom, fl. 115, with the support of the Vereniging Rembrandt, to the museum (L. 2228), 1902, as Jacob van Ruisdael
Object number: RP-T-1902-A-4566
Credit line: Purchased with the support of the Vereniging Rembrandt
The artist
Biography
Jan van Kessel (Amsterdam, 1641 - Amsterdam, 1680)
He was born to the framemaker Thomas Jacobsz. van Kessel (?-?) and Neeltje Henrix (?-?) and baptized in the Nieuwe Kerk in Amsterdam on 22 September 1641.2Amsterdam, Stadsarchief, DTB Dopen, archiefnummer 5001, inventarisnummer 42, blad p. 273, aktenummer DTB 42. In 1668, he married Clara Swichters (?-?).3Amsterdam, Stadsarchief, Ondertrouwregister, archiefnummer 5001, inventarisnummer 491, blad p. 342, aktenummer DTB 491. The couple had several children, but only one son, Isaac (1670-?), made it to adulthood.4A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 14-17.
Based on stylistic evidence, Van Kessel probably trained with Jacob van Ruisdael (1628-1682). He was friends with fellow artist Meindert Hobbema (1638-1709), the only documented student of Ruisdael.5Hobbema acted as the godfather to Van Kessel’s son Thomas (1675-? 1676), and in 1690, ten years after Van Kessel’s death, he became the legal guardian of Isaac van Kessel; cf. Ibid, pp. 15, 29. Van Kessel painted mainly townscapes and panoramic views. He occasionally copied whole compositions by Ruisdael but more often he imitated the styles of contemporaries such as Hobbema, Allart van Everdingen (1621-1675), Jan Wijnants (1632-1684) and Jan van de Capelle (1626-1679).6Ibid., p. 2. As a result, his work is often catalogued under the wrong name. He is also confused with other minor artists in Ruisdael’s circle, such as Jan van de Meer II (1656-1705), Isaac Koene (1637/40-1713), Jacob Salomonsz van Ruysdael (1629/30-1681) and Anthonie van Borssom (1630-1677).7A. Davies, ‘Kessel, Jan (Johan) van’, Grove Art Online, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000046340, accessed 15 June 2020. His earliest known dated works are from 1661, but the Fondation Custodia in Paris holds a sketchbook that probably dates from c. 1659-66 (inv. no. 2006-T.30).8J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, p. 88.
As a draughtsman, Van Kessel worked primarily in black chalk and grey wash and emulated Ruisdael’s mature drawing style. His drawn oeuvre consists of townscapes, tree studies and farmsteads. Some of these sheets are studies for his paintings.9A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 81-93. He went on several trips through the Netherlands to draw, occasionally accompanied by Hobbema, who recorded some of the same sites.10Ibid., p. 88.
Van Kessel is often confused with the Flemish painter Jan van Kessel (1626-1679) with whom he bears no familial relationship. The Dutch Van Kessel died at the age of thirty-nine and was buried at the Nieuwezijdskapel in Amsterdam on 24 December 1680.
Carolyn Mensing, 2020
References
U. Thieme and F. Becker, Allgemeines Lexikon der bildenden Künstler: Von der Antike bis zur Gegenwart, 37 vols., Leipzig 1907-50, XX (1927), p. 202; A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992; J. Briels, Peintres flamands au berceau du Sie`cle d’Or hollandais, Antwerp 1997, p. 347; A.I. Davies, ‘Kessel, Jan [Johan] van’, in J. Turner (ed.), The Dictionary of Art, 34 vols., London/New York 1996, XVII, p. 920; J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, pp. 81-93
Entry
Acquired as a work by Jacob van Ruisdael (1628-1682), this landscape has been given to his presumed pupil Jan van Kessel for some time now. Stylistically, the drawing resembles to a certain degree two other sheets by Van Kessel in the Rijksprentenkabinet, both tentatively datable after 1665 (inv. nos. RP-T-1899-A-2034 and RP-T-1899-A-4280), especially in the rendering of the grass and the tree trunks. However, the hatching in black chalk in a few trees is uncharacteristic for Van Kessel. Therefore, despite the endorsement of the attribution by Van Kessel expert Davies, some reservations remain.
Ingrid Oud, 2000
Literature
A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, p. 244, no. d28, pl. 211
Citation
I. Oud, 2000, 'attributed to Jan van Kessel, Road through a Wooded Landscape, after 1665 - 1680', in J. Turner (ed.), Dutch Drawings of the Seventeenth Century in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200141354
(accessed 11 December 2025 12:59:52).Footnotes
- 1Copy RKD.
- 2Amsterdam, Stadsarchief, DTB Dopen, archiefnummer 5001, inventarisnummer 42, blad p. 273, aktenummer DTB 42.
- 3Amsterdam, Stadsarchief, Ondertrouwregister, archiefnummer 5001, inventarisnummer 491, blad p. 342, aktenummer DTB 491.
- 4A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 14-17.
- 5Hobbema acted as the godfather to Van Kessel’s son Thomas (1675-? 1676), and in 1690, ten years after Van Kessel’s death, he became the legal guardian of Isaac van Kessel; cf. Ibid, pp. 15, 29.
- 6Ibid., p. 2.
- 7A. Davies, ‘Kessel, Jan (Johan) van’, Grove Art Online, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000046340, accessed 15 June 2020.
- 8J. Giltaij, ‘A Newly Discovered Seventeenth-century Sketchbook’, Simiolus, 33 (2007-08), no. 1/2, p. 88.
- 9A.I. Davies, Jan van Kessel (1641-1680), Doornspijk 1992, pp. 81-93.
- 10Ibid., p. 88.











