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Still Life with a Gilt Cup
Willem Claesz Heda, 1635, painting, SK-A-4830
In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…
On display in Gallery of Honour
Still Life with Asparagus
Adriaen Coorte, 1697, painting, SK-A-2099
Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…
On display in room 2.24
River Landscape with Riders
Aelbert Cuyp, c. 1653 - 1657, painting, SK-A-4118
Travellers are resting their horses in a sun-soaked river landscape. To judge from their orange shawls, they seem to be Dutch army officers. Cuyp saw these steep hills when he travelled along the River Rhine between Nijmegen and Cleves. It was probably the sketches he drew there that formed the…
On display in Gallery of Honour
The Massacre of the Innocents
Cornelis Cornelisz. van Haarlem, 1590, painting, SK-A-128
On display in room 2.1
A Mother Delousing her Child’s…
Pieter de Hooch, c. 1660 - c. 1661, painting, SK-C-149
A mother is inspecting her child’s hair for lice. They are in a sober Dutch interior, with Delft blue tiles and a bedstead. The chair on the right is a children’s toilet, with a built-in chamber pot. Through the door we see the back room, and catch a glimpse of the garden. These views into the…
The Sick Child
Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059
A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…
The Art Gallery of Jan…
Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100
In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…
On display in room 1.10
Lidded ewer
Adam van Vianen (I), 1614, BK-1976-75
On display in room 2.1
The Well-stocked Kitchen, with…
Joachim Bueckelaer, 1566, painting, SK-A-1451
It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…
A Windmill on a Polder Waterway,…
Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505
‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…
On display in room 1.18