Elegant Company at an Antique Fountain in a Glade

anonymous, c. 1660 - c. 1670

Gezelschap van dames en heren vermaken zich bij een fontein in een boomrijk landschap. Links een knecht met een paar honden.

  • Artwork typepainting
  • Object numberSK-A-2096
  • Dimensionsouter size: depth 6.2 cm (support incl. frame), support: height 88 cm x width 107 cm
  • Physical characteristicsoil on canvas

anonymous

Elegant Company at an Antique Fountain in a Glade

Southern Netherlands, c. 1660 - c. 1670

Scientific examination and reports

  • technical report: G. Tauber / L. Nijkamp, RMA, 30 augustus 2006

Conservation

  • Van der Haeghen: relined
  • conservator unknown, 1903: treated

Provenance

…; recorded as a chimney piece in Laan 5, The Hague, the premises of the Stadsapotheek, 1844-81;1Note RMA.…; bequeathed by Arnoldus Andries des Tombe (1818-1902), The Hague, to the museum, 1903

Object number: SK-A-2096

Credit line: A.A. des Tombe Bequest, The Hague


Entry

Bequeathed as attributed to the French School and later recognized as being south Netherlandish, the condition and poor handling are such that a more precise attribution would be foolhardy.

The theme of an elegant company in a landscape had been popularized in the southern Netherlands by the woodcuts by Christoffel Jegher (1596-1653) after Peter Paul Rubens’s (1577-1640) Conversation à La Mode (Museo Nacional del Prado, Madrid). 2D. Bodart, Rubens e l’incisione nelle collezione del Gabinetto Nazionale delle Stampa, exh. cat. Rome (Villa della Farnesina alla Lungara) 1977, p. 84, nos. 157-58.

The motif of a classical-style fountain in a wooded landscape was treated by the Antwerp landscape painter Gaspar de Witte (1624-1681), in whose pictures the staffage was usually contributed by a collaborator, for instance, Erasmus Quellinus II (1607-1678) as in the picture formerly in a private collection, Brussels.3J.-P. de Bruyn, Erasmus II Quellinus, 1607-1678. De schilderijen met catalogue raisonné, Freren 1988, no. 161. That picture is recorded as signed and dated by De Witte 1654 and also signed with Quellinus’s initials. The Rijksmuseum work was probably executed later, in the 1660s, to judge from the costumes of the elegant company.

The marble fountain – seemingly out of place in a glade – was intended to be antique and may not have been imaginary; it consists of an urn supported by a river god on a plinth above a sculpted basin.

Gregory Martin, 2022


Collection catalogues

1903, p. 4, no. 33 (as anonymous French school, last half of the seventeenth century); 1934, p. 4, no. 33 (as anonymous French school, last half of the seventeenth century); 1976, p. 693, no. A 2906 (as Southern Netherlandish school)


Citation

G. Martin, 2022, 'anonymous, Elegant Company at an Antique Fountain in a Glade, Southern Netherlands, c. 1660 - c. 1670', in Flemish Paintings in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/20027032

(accessed 16 December 2025 22:40:08).

Footnotes

  • 1Note RMA.
  • 2D. Bodart, Rubens e l’incisione nelle collezione del Gabinetto Nazionale delle Stampa, exh. cat. Rome (Villa della Farnesina alla Lungara) 1977, p. 84, nos. 157-58.
  • 3J.-P. de Bruyn, Erasmus II Quellinus, 1607-1678. De schilderijen met catalogue raisonné, Freren 1988, no. 161.