A standing Court Lady

Yashima Gakutei (mentioned on object), c. 1828

Een vrouw draagt een rijkelijke kimono, in haar hand een gevouwen waaier. De drie goden van de Japanse dichtkunst (Wakasanjin) zijn drie dichters met veel aanzien. Met één gedicht.

  • Artwork typeprint, surimono
  • Object numberRP-P-1999-242
  • Dimensionsheight 194 mm x width 133 mm
  • Physical characteristicsnishikie, with metallic pigments and blindprinting

Yashima Gakutei

A standing Court Lady

Japan, Japan, c. 1828

Provenance

…; purchased from the dealer Bernard Haase, London, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1999;1Coll. cat. Goslings 2004, p. 7, cat. no. 316 by whom donated to the museum, 1999

Object number: RP-P-1999-242

Credit line: Gift of J.H.W. Goslings, Epse


Context

Hakumosha Manmori was also involved in the 1820 Hanazonoren publication Kyoka kakuteiritsu (untranslatable)2Suga, Chikuho, Kyoka shomoku shusei. Kyoto: Rinsen shoten, 1977, p. 65. and the 1829 Kyoka on the Illustrated Heroes of the Suikoden, Kyoka Suikogadenshu.3Ibid., p. 75.


The artist

Biography

Yashima Gakutei (1786?-1868), a pupil of Totoya Hokkei, was also strongly influenced by Katsushika Hokusai. He used the art-names Harunobu, Sadaoka and Yashima. In addition to his designs for surimono and kyoka collections - he was probably the most prolific designer in this genre – he was also a poet and writer as well as a great Sinologist.


Entry

A court lady dressed in elaborate traditional clothing and holding a folded fan, against a dark ground, beams radiating around her. She represents Sotoorihime, one of the Three Gods of Japanese Poetry.

This is actually a reprint after the image in the series Three Gods of Japanese Poetry, Wakasanjin, of circa 1826 (RP-P-1958-370). The Three Gods of Japanese Poetry, Wakasanjin, is essentially a group of eminent poets. However, various authorities define them in different ways. The earliest were probably three gods such as Uwazutsunoo no mikoto, Nakazutsunoo no mikoto and Sokozutsunoo no mikoto, all worshipped as enshrined deities at Sumiyoshi. Drawing upon more classical poets, some have identified them as Sotoorihime, Kakinomoto no Hitomaro and Yamabe no Akahito; sometimes Yamabe no Akahito is replaced with Sumiyoshi Myojin. Another combination is Sumiyoshi Myojin, Tenman Tenjin and Tamatsushima no kami.

Although this may initially appear to be a cut-down shikishiban, it is complete as it is.

One poem by Hakumosha Manmori [a judge of the Katsushikaren, according to Kano,4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 215. which appears to be correct in view of his involvement in an untitled pentaptych on the Soga drama designed by Gakutei in c. 1823, RP-P-1958-415].

Issued by the poet
Signature reading: Gakutei


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 176


Citation

M. Forrer, 2013, 'Yashima Gakutei, A standing Court Lady, Japan, c. 1828', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200413488

(accessed 8 December 2025 02:38:45).

Footnotes

  • 1Coll. cat. Goslings 2004, p. 7, cat. no. 316
  • 2Suga, Chikuho, Kyoka shomoku shusei. Kyoto: Rinsen shoten, 1977, p. 65.
  • 3Ibid., p. 75.
  • 4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 215.