A Samurai Holding a Helmet

Utagawa Kunisada (I) (mentioned on object), c. 1821

Een samoerai in gestreepte kimono (acteur Ichikawa Danjûrô VII (1791-1859)), met zijn helm in zijn hand. Met drie gedichten, waarvan het gedicht van Shinratei Manzô over het nieuwe jaar gaat.

  • Artwork typeprint, surimono
  • Object numberRP-P-1991-573
  • Dimensionsheight 205 mm x width 176 mm
  • Physical characteristicsnishikie, with metallic pigments, blindprinting and tsuyazuri

Utagawa Kunisada (I)

A Samurai Holding a Helmet

Japan, Japan, Japan, Japan, c. 1821

Provenance

…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1985;1Coll. cat. Goslings 1999, p. 30, cat. no. 51 by whom donated to the museum, 1991

Object number: RP-P-1991-573

Credit line: Gift of J.H.W. Goslings, Epse


The artist

Biography

Utagawa Kunisada (1786-1865) was a pupil of Utagawa Toyokuni, who dominated the field of kabuki prints until his death. Kunisada's prints of beautiful women, bijinga, were also very successful. Only well after he had established himself as a designer of actor prints did he enter the world of surimono design, becoming the most prolific designer of surimono in the Utagawa tradition. He also used the art-names Ichiyusai, Gototei and Kochoro.


Entry

A samurai in a striped kimono, holding a helmet.

The man is the kabuki actor Ichikawa Danjuro VII in an unidentified role. Keyes2Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, Appendix, p. 240. illustrates what seems to be a design after the same performance - although the man is shown holding part of a suit of armour in the addition to the helmet - and identifies the man as Danjuro VII in the role of a townsman. Ichikawa Danjuro VII (1791-1859) acted under this name from XI/1800 to III/1832, when he adopted the name Ichikawa Ebizo V.

Three poems by Matsunoya Sononari, Mankan Takamori [if identical to the Mugimeshi Takamori in Kano3Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 123. earlier Tojuen and Dokugakudo, a judge of the Gogawa], and Shinratei Manzo [II, 1762-1831, earlier Shichichin Manpo].4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 216.

The poem by Sononari alludes to the crest of three rice-measures used by the Ichikawa-tradition of actors:
The offering stands are decorated with crayfish and we open the storied boxes of food - piled up like the Mimasumon and the sets of three sake cups.

The poem by Manzo reads:
Playing successful roles like the ancestors - that is the most beautiful essence of the New Year.

Issued by followers of the poet Shinratei Manzo
Signature reading: Gototei Kunisada ga


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 540


Citation

M. Forrer, 2013, 'Utagawa (I) Kunisada, A Samurai Holding a Helmet, Japan, c. 1821', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200485449

(accessed 8 December 2025 22:33:11).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 30, cat. no. 51
  • 2Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, Appendix, p. 240.
  • 3Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 123.
  • 4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 216.