Zittende krijger

Yashima Gakutei (vermeld op object), 1825

De dichter krijgsman Minamoto no Yoshiie (1039?-1106), zittend met gedichtenbundel in zijn rechterhand. Met gedicht.

  • Soort kunstwerkprent, surimono
  • ObjectnummerRP-P-1991-541
  • Afmetingenblad: hoogte 211 mm (shikishiban) x breedte 186 mm
  • Fysieke kenmerkenkleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten; polijsten

Yashima Gakutei

A Seated Warrior

Japan, Japan, 1825

Provenance

…; purchased from the dealer Kunsthandel Huys den Esch, Dodewaard, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1983;1Coll. cat. Goslings 1999, p. 15, cat. no. 12 by whom donated to the museum, 1991

Object number: RP-P-1991-541

Credit line: Gift of J.H.W. Goslings, Epse


Context

The title of this series, Buke rokkasen, translates literally as 'Six Immortal Warrior Poets', but judging from the sound rather than the characters, it is more likely that it is meant to suggest something akin to 'Warriors from Six Selected Families'. The warriors portrayed in the set are more famous for their military skills than for their poetry.

The complete series is in the MFA, Boston.

For others of the series, see:
Minamoto Sanmi Yorimasa 2NME, Leiden, 1223-2; Hempel, Rose, Japanische Holzschnitte. Neuerwerbungen der Sammlung Theodor Scheiwe. Cologne: W. Muller, 1969, p. 198; Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17. - 19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 384; Sotheby's London, 8/VI/2004, 474, MFA 11-20490
Ota Dokan 3Hempel, Rose, Japanische Holzschnitte. Neuerwerbungen der Sammlung Theodor Scheiwe. Cologne: W. Muller, 1969, p. 199; Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.-19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 385; Sotheby's London, 8/VI/2004, 474 (illustrated), MFA 11-20492
Kamakura Udaijin 4Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, p. 81; Sotheby's London, 8/VI/2004, 474, MFA 11-20496
Taira no Tadanori 5Paul F. Walter Collection of Surimono. Privately Commissioned Japanese Prints. New York: Christie's, 23 October 1992, p. 48; Mirviss, Joan B. and John T. Carpenter, Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era 1804-1830 (Amerika no 3 josei ga atsumeta Bunka, Bunsei no shugyoku no surimono). Tokyo: Ota Memorial Museum of Art & Nihon Keizai Shinbun, 2000, p. 77; Sotheby's London, 8/VI/2004, 474, MFA11.20497
Minamoto no Yoshiie -6Sotheby's London, 8/VI/2004, 474, MFA 11.20495


The artist

Biography

Yashima Gakutei (1786?-1868), a pupil of Totoya Hokkei, was also strongly influenced by Katsushika Hokusai. He used the art-names Harunobu, Sadaoka and Yashima. In addition to his designs for surimono and kyoka collections - he was probably the most prolific designer in this genre – he was also a poet and writer as well as a great Sinologist.


Entry

A seated warrior reading a book, on a golden ground.

The General Minamoto no Yoshiie, Minamoto no Yoshiie, from the series Six Immortal Warrior Poets, Buke rokkasen.

The warrior is Minamoto no Yoshiie (1039?-1106), the son of Minamoto no Yoriyoshi (988-1075) and also commonly known as Hachiman Taro.

One poem by Fukunoya [Uchinari, also Kigairo and Fukunoya Fuji no Uchinari, or Fukunoya Tonainari, a pupil of Rokujuen who later founded the Shipporen].7Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 21.

The poem reads:
Reading a military book in an inn during the Spring rain, he breaks the Abegawa rice cakes

Abegawa mochi, with Abegawa probably also alluding to the Abe family whom he defeated in the 1050s.

Issued by an unidentified poetry club
Signature reading: Gakutei hitsu


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 431


Citation

M. Forrer, 2013, 'Yashima Gakutei, A Seated Warrior, Japan, 1825', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200473430

(accessed 12 December 2025 17:05:03).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 15, cat. no. 12
  • 2NME, Leiden, 1223-2; Hempel, Rose, Japanische Holzschnitte. Neuerwerbungen der Sammlung Theodor Scheiwe. Cologne: W. Muller, 1969, p. 198; Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17. - 19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 384; Sotheby's London, 8/VI/2004, 474, MFA 11-20490
  • 3Hempel, Rose, Japanische Holzschnitte. Neuerwerbungen der Sammlung Theodor Scheiwe. Cologne: W. Muller, 1969, p. 199; Hempel, Rose, Ukiyo-e. Die Kunst der heiteren vergänglichen Welt, Japan 17.-19. Jahrhundert, Sammlung Scheiwe. Recklinghuisen: Bongers, 1972, p. 385; Sotheby's London, 8/VI/2004, 474 (illustrated), MFA 11-20492
  • 4Keyes, Roger S., The Art of Surimono. Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, 2 vols. London: Sotheby’s Publications, 1985, p. 81; Sotheby's London, 8/VI/2004, 474, MFA 11-20496
  • 5Paul F. Walter Collection of Surimono. Privately Commissioned Japanese Prints. New York: Christie's, 23 October 1992, p. 48; Mirviss, Joan B. and John T. Carpenter, Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era 1804-1830 (Amerika no 3 josei ga atsumeta Bunka, Bunsei no shugyoku no surimono). Tokyo: Ota Memorial Museum of Art & Nihon Keizai Shinbun, 2000, p. 77; Sotheby's London, 8/VI/2004, 474, MFA11.20497
  • 6Sotheby's London, 8/VI/2004, 474, MFA 11.20495
  • 7Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 21.