Jan van Aken (? Amsterdam c. 1614 – Amsterdam 1661)

According to a tradition of unknown origin, he was born in 1614 in Amsterdam. Houbraken described him as a ‘een Paardeschilder, maar in ’t klein’ (‘painter of horses, on a small scale’).²²A. Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3 vols., Amsterdam 1718-21, III (1721), p. 183. His oeuvre consists of more than forty drawings and twenty-one landscape etchings, including a series of horses after Pieter van Laer (1599-1642)³³F.W.H. Hollstein et al., Dutch and Flemish Etchings, Engravings and Woodcuts, c. 1450-1700, 72 vols., Amsterdam and elsewhere 1947-2010, I (1947), nos. 1-6. and four Rhine landscapes after sketches by Herman Saftleven (c. 1609-1685), one of which is dated 1648.⁴⁴Ibid., nos. 18-21. The nature of Van Aken’s relation to both artists remains unexplored.

Among the examples of dated drawings include two from 1652: Valley with Ruined Bridge in the Special Collections, Universiteit Leiden (inv. no. PK-T-AW-3), and Rocky Landscape with Figures on a Road by a Stream in The British Museum, London (inv. no. 1836,0811.1).⁵⁵A.M. Hind, Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum, 5 vols., coll. cat. London 1915-32, III (1926), no. 1. Only a handful of paintings can be securely associated with the artist, for instance a pair from the early 1650s, Dune Landscape with Travellers and Gypsies (1650) in a private collection,⁶⁶R. Hirsch, Seventeenth-century Painters of Haarlem, exh. cat. Allentown (PA) (Allentown Art Museum) 1965, no. 96. and Mountainous River Landscape (165(?)) in the Muzeum Narodowe w Warszawie, Warsaw (inv. no. M.Ob.437 MNW), previously published as signed and dated 1650.⁷⁷H. Benesz and M. Kluk, Early Netherlandish, Dutch, Flemish and Belgian Paintings, 1494-1983, in the Collections of the National Museum in Warsaw and the Palace of Nieborów: Complete Illustrated Summary Catalogue, 2 vols., coll. cat. Warsaw 2016, no. 5.

What is generally assumed to be this artist, a certain ‘Jan van Aken’, brother-in-law of a Lammert van den Velden, living at the corner of the Nieuwbrugsteeg, was buried in the Oudezijds Kapel on 25 March 1661.

Annemarie Stefes, 2019

References
A. Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 3 vols., Amsterdam 1718-21, III (1721), p. 183; R. van Eijnden and A. van der Willigen, Geschiedenis der vaderlandsche schilderkunst, 4 vols., Haarlem 1816-40, I (1816), pp. 214-15; F.D.O. Obreen, Archief voor Nederlandsche kunstgeschiedenis, 7 vols., Rotterdam 1877-90, V (1882-83), p. 203; A.D. de Vries, ‘Biografische aanteekeningen betreffende voornamelijk Amsterdamsche schilders, plaatsnijders, enz. en hunne verwanten (I)’, Oud-Holland 3 (1885), p. 58; A. von Wurzbach, Niederländisches Künstlerlexikon, 3 vols., Vienna/Leipzig 1906-11, I (1906), p. 8; U. Thieme and F. Becker, Allgemeines Lexikon der bildenden Künstler: Von der Antike bis zur Gegenwart, 37 vols., Leipzig 1907-50, I (1907), p. 158 (entry by E.W. Moes); F.W.H. Hollstein et al., Dutch and Flemish Etchings, Engravings and Woodcuts, c. 1450-1700, 72 vols., Amsterdam and elsewhere 1947-2010, I (1947), pp. 5-9; W.L. Strauss (ed.), The Illustrated Bartsch, New York and elsewhere 1978-, I (1978), pp. 267-79, nos. 1-21; W. Schulz, Herman Saftleven (1609-1685): Leben und Werke, mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin 1982, pp. 72, 113-14; A. Beyer et al. (eds.), Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker, Munich 1992-, I (1992), p. 700; P. Groenendijk, Beknopt biografisch lexicon van Zuid- en Noord-Nederlandse schilders, graveurs, glasschilders, tapijtwevers et cetera van ca. 1350 tot ca. 1720, Utrecht 2008, p. 57; https://rkd.nl/explore/artists/774