Een vrouw, een jongen en een man

Utagawa Kunisada (I) (vermeld op object), 1833

De prent is in zes rechthoeken verdeeld. In drie rechthoeken zijn de koppen van acteurs afgebeeld, en in drie, met een bronzen of gouden achtergrond, de gedichten. De acteurs zijn van boven naar beneden: Iwai Hanshirô VI (1799-1836), Ichikawa Danjûrô VIII (1823-1854) en zijn vader Ichikawa Ebizô V (1791-1859) (voorheen Danjûrô VII). Met drie gedichten.

  • Soort kunstwerkprent, surimono
  • ObjectnummerRP-P-1995-284
  • Afmetingenblad: hoogte 217 mm (shikishiban) x breedte 188 mm
  • Fysieke kenmerkenkleurenhoutsnede; blinddruk; lijnblok in zwart met kleurblokken; metaalpigmenten

Utagawa Kunisada (I)

A Woman, a Boy and a Man

Japan, Japan, Japan, Japan, 1833

Inscriptions

  • collector's mark, verso, stamped: Glued seal with inscription.
  • collector's mark, recto, stamped

Provenance

…; collection Catherine Ball (collector's mark);…; purchased from the dealer Hasegawa, Japan, by J.H.W. Goslings (1943-2011), Epse, near Deventer, 1992;1Coll. cat. Goslings 1999, p. 33, cat. no. 60 by whom donated to the museum, 1995

Object number: RP-P-1995-284

Credit line: Gift of J.H.W. Goslings, Epse


Context

Iwai Hanshiro VI (1799-1836), earlier Iwai Kumesaburo II, acted under this name from XI/1832 until his death in IV/1836. Ichikawa Danjuro VIII (1823-54) acted under the name Ichikawa Ebizo VI from III/1825 to III/1832, when he became Ichikawa Danjuro VIII. He committed suicide on the 8th Day of the Sixth Month of 1854 while touring Osaka. Ichikawa Ebizo V (1791-1859), acted under this name from III/1832; he previously acted under the name Danjuro VII, from XI/1800.

For another design after the same performance, see RP-P-1991-714.


The artist

Biography

Utagawa Kunisada (1786-1865) was a pupil of Utagawa Toyokuni, who dominated the field of kabuki prints until his death. Kunisada's prints of beautiful women, bijinga, were also very successful. Only well after he had established himself as a designer of actor prints did he enter the world of surimono design, becoming the most prolific designer of surimono in the Utagawa tradition. He also used the art-names Ichiyusai, Gototei and Kochoro.


Entry

A surimono designed as three horizontal bands, each consisting of a portrait and a poem. At top right a woman in a black kimono, a towel over her shoulder; in the centre a boy holding a tree branch over his shoulder; at the bottom a bearded man wearing a cap, his arms crossed over his chest.

The woman is the kabuki actor Iwai Hanshiro VI, the boy the actor Ichikawa Danjuro VIII in the role of Kidomaru, or the infant Kintoki, and the man is Ichikawa Ebizo V (formerly Ichikawa Danjuro VII) in the role of the woodcutter Nekko no Yorizo. The performance with a cast that comes closest to this was the play Yoriari gohiiki Tsuna, staged at the Kawarazaki Theatre in Edo in XI/1832.2Kabuki nenpyo (Chronology of Kabuki), 8 vols. Tokyo: Iwanami Shoten, 1973 (1956), vol. 6, p. 216f. Hanshiro performed the role of the geisha Koito of the Nakaneya, the young Danjuro played the role of Nosetaro, and Ebizo portrayed various roles, including those of Ebisakonoju, in reality Watanabe no Tsuna, and Ashikagayama Yamauba.

Three poems by Yagairo Takara no Nakasumi, Jingairo Kiyosumi [1786-1834, the son of Rokujuen Yadoya no Meshimori and a judge of the Gogawa],3Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 60. and shichidaime Sansho [Ichikawa Danjuro VII, 1791-1859].4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 88.

Danjuro’s poem is preceded by the statement that he contributed it ‘at the request of Master Kiyozumi’, Kiyozumi nushi no motome ni, the second poet on this print.
His poem reads:
My white hair - taking the road to Mukojima and crossing Sumida River, today I am home again in Kiba.

Issued by admirers of the actors
Signature reading: Kunisada ga


Literature

M. Forrer, Surimono in the Rijksmuseum Amsterdam, Leiden 2013, no. 564


Citation

M. Forrer, 2013, 'Utagawa (I) Kunisada, A Woman, a Boy and a Man, Japan, 1833', in Surimono from the Goslings Collection in the Rijksmuseum, online coll. cat. Amsterdam: https://data.rijksmuseum.nl/200382575

(accessed 10 December 2025 18:43:43).

Footnotes

  • 1Coll. cat. Goslings 1999, p. 33, cat. no. 60
  • 2Kabuki nenpyo (Chronology of Kabuki), 8 vols. Tokyo: Iwanami Shoten, 1973 (1956), vol. 6, p. 216f.
  • 3Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 60.
  • 4Kano, Kaian (ed.), Kyoka jinmei jisho (Dictionary of Names of Kyoka Poets). Kyoto: Rinsen shoten, 1977 (1928), p. 88.