Found:


The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

On display in room 2.1

Portrait of Jacob Cornelisz van…

Jacob Cornelisz van Oostsanen (workshop of), c. 1533, painting, SK-A-1405

Self portraits signal a growing awareness among artists of their own role. This work was long thought to be the earliest self portrait of an artist in the Northern Netherlands. Jacob Cornelisz is looking directly at the viewer; behind him on a piece of paper is the date, 1533, and the artist’s…

On display in room 0.6

River Landscape with Riders

Aelbert Cuyp, c. 1653 - 1657, painting, SK-A-4118

Travellers are resting their horses in a sun-soaked river landscape. To judge from their orange shawls, they seem to be Dutch army officers. Cuyp saw these steep hills when he travelled along the River Rhine between Nijmegen and Cleves. It was probably the sketches he drew there that formed the…

On display in Gallery of Honour

A Pelican and other Birds near a…

Melchior d'Hondecoeter, c. 1680, painting, SK-A-175

Melchior d’Hondecoeter specialised in depicting birds. Here he painted a pelican, various ducks, a cassowary (left), a flamingo and an African crested crane. D’Hondecoeter was commissioned to paint the work by Stadholder William III and his wife Mary. It was intended for Het Loo palace, where…

On display in room 2.22

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

On display in room 0.6

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Philips wing, room 1.2