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The Windmill at Wijk bij Duurstede
Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211
Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…
On display in Gallery of Honour
Isaac and Rebecca, Known as ‘The…
Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216
It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.
On display in Gallery of Honour
Portraits of Giuliano and Francesco…
Piero di Cosimo, 1482 - 1485, painting, SK-C-1367
This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…
On display in room 0.5
The Battle of Waterloo
Jan Willem Pieneman, 1824, painting, SK-A-1115
Emperor Napoleon met his final defeat at the Battle of Waterloo in 1815. This painting – the largest at the Rijksmuseum – shows the moment when the tide turned: the British general Wellington hears that the Prussian army is approaching. Victory, and an end to twenty years of war, is at hand. The…
On display in room 1.12
The Sampling Officials of the…
Rembrandt van Rijn, 1662, painting, SK-C-6
Samplers checked the quality of dyed cloth. Here Rembrandt shows them at work, distracted for a moment and looking up. One syndic is about to sit, or stand, so not all the heads are at the same level. A clever trick which, with the confident brushwork and subtle use of light, make this one of the…
On display in Gallery of Honour
The Singel Bridge at the…
George Hendrik Breitner, 1898, painting, SK-A-3580
Breitner often took photos when preparing a painting. Several preparatory photos for this painting are also known. The way the woman is walking directly towards us and the way the picture is cropped gives it a photographic feel. Originally, Breitner’s subject was a maid, but following the negative…
On display in room 1.18
Winter Landscape with Ice Skaters
Hendrick Avercamp, c. 1608, painting, SK-A-1718
Hendrick Avercamp turned the winter landscape into a subject in its own right. A typical feature of his early work is the high horizon. This enabled Avercamp to focus on the dozens of figures on the ice. He showed all kinds of uncouth details in this bird’s-eye view, including couples making love…
On display in room 2.6
The Threatened Swan
Jan Asselijn, c. 1650, painting, SK-A-4
With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…
On display in Gallery of Honour
Girl in a White Kimono
George Hendrik Breitner, 1894, painting, SK-A-3584
Inspired by Japanese prints, Breitner painted at least twelve versions of this girl in a white kimono around 1894. Each time, her pose is different and the kimono is a different colour. Here the embroidered white silk kimono with red trimmed sleeves and orange belt are what draw our attention. The…
Gallant Conversation, Known as ‘The…
Gerard ter Borch (II), c. 1654, painting, SK-A-404
A man of the world, a soldier perhaps, is looking admiringly at the young woman in the splendid satin dress. They were once thought to be father and daughter. But perhaps the man is the woman’s suitor, and the older woman is a chaperone. The young woman’s pose, standing with her back to the viewer,…
On display in room 2.25