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Portrait of a Woman, Possibly Maria…

Rembrandt van Rijn, 1639, painting, SK-C-597

Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…

On display in room 2.8

The Singel Bridge at the…

George Hendrik Breitner, 1898, painting, SK-A-3580

Breitner often took photos when preparing a painting. Several preparatory photos for this painting are also known. The way the woman is walking directly towards us and the way the picture is cropped gives it a photographic feel. Originally, Breitner’s subject was a maid, but following the negative…

On display in room 1.18

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

Girl in a White Kimono

George Hendrik Breitner, 1894, painting, SK-A-3584

Inspired by Japanese prints, Breitner painted at least twelve versions of this girl in a white kimono around 1894. Each time, her pose is different and the kimono is a different colour. Here the embroidered white silk kimono with red trimmed sleeves and orange belt are what draw our attention. The…

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6

The Battle of Terheide

Willem van de Velde (I), 1657, painting, SK-A-1365

English ships blockaded the Dutch Republic’s harbours in 1653. While leading an attempt to break the blockade, the Dutch admiral Maarten Tromp was killed. His family commissioned this painting of his final battle to commemorate his death. It still has its original frame, featuring the heraldic arms…

On display in room 2.15

The Sampling Officials of the…

Rembrandt van Rijn, 1662, painting, SK-C-6

Samplers checked the quality of dyed cloth. Here Rembrandt shows them at work, distracted for a moment and looking up. One syndic is about to sit, or stand, so not all the heads are at the same level. A clever trick which, with the confident brushwork and subtle use of light, make this one of the…

On display in Gallery of Honour

Italian Landscape with a…

Jan Both, c. 1650 - 1652, painting, SK-C-109

An artist has found a place to sketch by a wood, near a waterfall – perhaps it is Both himself. Travellers with heavy-laden mules are walking towards a plain bathed in Italian sun. Both was clearly fascinated by the Mediterranean light and stayed in Rome for a long time. Back in the Netherlands, he…

On display in room 2.17

Self-portrait

Rembrandt van Rijn, c. 1628, painting, SK-A-4691

Despite his lack of experience, the young Rembrandt was not afraid to experiment. In this early self portrait the light brushes past his right cheek. The rest of the face is cloaked in shadow. It takes a moment to realise that the artist is staring intently, directly at the viewer. Rembrandt used…

On display in room 2.8

The Milkmaid

Johannes Vermeer, c. 1660, painting, SK-A-2344

A maid concentrates keenly as she pours milk from a jug. It is a quiet, tranquil scene. The only movement is the flow of milk. Vermeer turned a simple composition of a prosaic subject into an intense work of art. It is in the rendering of light that Vermeer truly excelled, painting tiny dots for…

On display in Gallery of Honour