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Winter Landscape with Ice Skaters

Hendrick Avercamp, c. 1608, painting, SK-A-1718

Hendrick Avercamp turned the winter landscape into a subject in its own right. A typical feature of his early work is the high horizon. This enabled Avercamp to focus on the dozens of figures on the ice. He showed all kinds of uncouth details in this bird’s-eye view, including couples making love…

On display in room 2.6

The Threatened Swan

Jan Asselijn, c. 1650, painting, SK-A-4

With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…

On display in Gallery of Honour

Gallant Conversation, Known as ‘The…

Gerard ter Borch (II), c. 1654, painting, SK-A-404

A man of the world, a soldier perhaps, is looking admiringly at the young woman in the splendid satin dress. They were once thought to be father and daughter. But perhaps the man is the woman’s suitor, and the older woman is a chaperone. The young woman’s pose, standing with her back to the viewer,…

On display in room 2.25

Portrait of a Girl Dressed in Blue

Johannes Cornelisz. Verspronck, 1641, painting, SK-A-3064

What made this such a popular portrait? That it shows a pretty child dressed in her finest clothes? As was usual at the time, the girl actually has an adult appearance. Her facial expression is all that shows she is playing the role. Unfortunately, we no longer know who she was.

On display in Gallery of Honour

View of Houses in Delft, Known as…

Johannes Vermeer, c. 1658, painting, SK-A-2860

An unusual painting in Vermeer’s oeuvre: a few houses and a couple of people in a quiet street. Vermeer gave the scene a palpable sense of tension and balance. The old walls, worn bricks and white plaster are almost tangible. What part of Delft this shows is no longer known.

On display in Gallery of Honour

Italian Landscape with a…

Jan Both, c. 1650 - 1652, painting, SK-C-109

An artist has found a place to sketch by a wood, near a waterfall – perhaps it is Both himself. Travellers with heavy-laden mules are walking towards a plain bathed in Italian sun. Both was clearly fascinated by the Mediterranean light and stayed in Rome for a long time. Back in the Netherlands, he…

On display in room 2.17

The Milkmaid

Johannes Vermeer, c. 1660, painting, SK-A-2344

A maid concentrates keenly as she pours milk from a jug. It is a quiet, tranquil scene. The only movement is the flow of milk. Vermeer turned a simple composition of a prosaic subject into an intense work of art. It is in the rendering of light that Vermeer truly excelled, painting tiny dots for…

On display in Gallery of Honour

Floral Still Life

Hans Bollongier, 1639, painting, SK-A-799

While this ample bouquet appears quite natural, tulips, anemones, roses and carnations all have different seasons. Yet Bollongier combined them into a harmonious composition. This still life was painted following the financial collapse of 1637, when many lost their fortunes speculating in tulip…

Woman Reading a Letter

Johannes Vermeer, c. 1663, painting, SK-C-251

In a quiet, private moment, a young woman stands, engrossed in reading a letter. It is morning, and she is still wearing her blue nightrobe. All the other colours are subordinate to its radiant lapis lazuli; yellow and red hardly make an appearance. Vermeer rendered the different effects of the cool…

On display in Gallery of Honour

The Merry Family

Jan Havicksz. Steen, 1668, painting, SK-C-229

IYoung and old are having a wonderful time: mother and grandmother are singing, the children are playing music and smoking, and father raises his glass. The note on the mantelpiece comments poignantly: ‘as the old sing, so pipe the young’. Steen’s picture brings the saying to life and warns the…

On display in Gallery of Honour