Saint Francis Receiving the Stigmata

Saint Francis Receiving the Stigmata

SK-A-4006

De stigmatisatie van de heilige Franciscus van Assisi. In een rotsachtig landschap ontvangt de knielende heilige de stigmata van een gevleugelde gekruisigde Christus. Links boven op de rotsen een kerk of klooster. Met geïntegreerde lijst.

painter: Lorenzo Monaco, Florence

c. 1420

tempera on panel

• height 87 cm x width 61.5 cm
• height 88 cm x width 65.5 cm

Public domain

…; purchased from the dealer Friedrich Lippmann, London, by Prof. Dr Otto Lanz (1865-1935), Amsterdam, 1913;{File RMA.} his widow, Anna Theresia Elisabeth Lanz - Willi (1870 - 1954), Amsterdam, 1935; from whom, CHF 2,000,000 and fl. 350,000, with xx other paintings, to Hans Posse (1879-1942), for Adolf Hitler’s Führermuseum, Linz, through the mediation of the dealer N. Katz, 1941;{Van Os 1978, p. 167.} war recuperation, SNK, 15 February 1946 (inv. no. NK 2340);{Provenance from 1934 to 1945 reconstructed by Ekkart et al. 2006; MCCP website, file card no. 3940; the Munich Central Collecting Point number 3940 is recorded in black on the reverse of the panel.} on loan from the DRVK to the museum, 1952 (inv. no. SK-C-1432); transferred to the museum, 1960

Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.

• B. Degenhart, Zur Ausstellung der Sammlung Lanz im Rijksmuseum, Amsterdam, uit: Pantheon : Monatsschrift für Freunde und Sammler der Kunst, 27, 1941, pagina 34-40 - p. 35
• Cat.tent. Mostra d'arte Italiana a Palazzo Venezia, Roma (Palazzo Venezia), 1945, nr. 68.
• Hubert Baija, Modern Materials and Practice in Guilding Conservation, uit: Postprints of the Joint Session of the AIC Paintings and Wooden Artifacts Specialty Groups, 2014, pagina 31-49 - p. 41 e.v.
• R. van Marle, La pittura all'esposizione d'arte antica italiana di Amsterdam, uit: Bolletino d'Arte, 28, 1934-1935, 7, pagina 293-312 - p. 304
• Pudelko Georg, The Stylistic Development of Lorenzo Monaco-II, uit: The Burlington Magazine for Connoisseurs, 74, 1939, 431, pagina 76-83 - p. 76-81(zie: http://www.jstor.org/stable/867656)
• W. Suida, 'Lorenzo Monaco', Thieme-Becker Künstlerlexicon dl. 23, Leipzig 1929, p. 392.
• Jaarverslag Rijksmuseum (1953), p. 9.

To refer to this object, please use the following persistent URL:

https://id.rijksmuseum.nl/200110486