The Flagellation

Luca di Tommè, c. 1365

Like many small paintings of the period, this came from a series of predella panels formerly on the base of a large altarpiece. Such panels often showed the Virgin and Child accompanied by a few standing saints. Sometimes, however, artists had more freedom in the choice and handling of predella scenes, while the main altarpiece itself was usually fairly conventional.

  • Artwork typepainting
  • Object numberSK-A-4003
  • Dimensionsheight 39 cm x width 30 cm
  • Physical characteristicstempera on panel

Identification

  • Title(s)

    The Flagellation

  • Object type

  • Object number

    SK-A-4003

  • Description

    De geseling van Christus. In een zuilengalerij staat Christus aan een zuil gebonden. Links en rechts soldaten en de twee beulen met zwepen. Links staat Pilatus wijzend naar Christus.


Creation

  • Creation

    painter: Luca di Tommè, Siena

  • Dating

    c. 1365

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Material and technique

  • Physical description

    tempera on panel

  • Dimensions

    height 39 cm x width 30 cm


This work is about

  • Subject


Acquisition and rights

  • Copyright

  • Provenance

    …; collection Prof. Dr Otto Lanz (1865-1935), Amsterdam, 1935; his widow Anna Theresia Elisabeth Lanz - Willi (1870 - 1954), Amsterdam, 1935; from whom, CHF 2,000,000 and fl. 350,000, with xx other paintings, to Hans Posse (1879-1942), for Adolf Hitler’s Führermuseum, Linz, through the mediation of the dealer N. Katz, 1941;{Van Os 1978, p. 167.} war recuperation, SNK, 12 february 1946 (inv. no. NK 2356);{Provenance from 1935 to 1945 reconstructed by Ekkart et al. 2006; MCCP website, file card no. 3661; the Munich Central Collecting Point number 3661 is recorded in blue on the reverse of the panel.} on loan from the DRVK to the museum, 1952 (inv. no. SK-C-1429); transferred to the museum, 1960

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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