Gijsbertus Johannes Rooyens (1785-1846), Professor of Theology and Church History at the University of Amsterdam

Jan Adam Kruseman (signed by artist), 1828

Portret van Gijsbertus Johannes Rooyens, sinds 1827 hoogleraar in de theologie en de kerkgeschiedenis te Amsterdam. Ten halven lijve, naar links, gekleed in een zwarte toga met witte bef.

  • Artwork typepainting
  • Object numberSK-A-3950
  • Dimensionsheight 81.5 cm x width 66.5 cm, depth 5.5 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Gijsbertus Johannes Rooyens (1785-1846), Professor of Theology and Church History at the University of Amsterdam

  • Object type

  • Object number

    SK-A-3950

  • Description

    Portret van Gijsbertus Johannes Rooyens, sinds 1827 hoogleraar in de theologie en de kerkgeschiedenis te Amsterdam. Ten halven lijve, naar links, gekleed in een zwarte toga met witte bef.

  • Inscriptions / marks

    signature and date: ‘J.A. Kruseman. ft 1828’


Creation

  • Creation

    painter: Jan Adam Kruseman (signed by artist), Netherlands

  • Dating

    1828

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    • height 81.5 cm x width 66.5 cm
    • depth 5.5 cm

This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    Gift of A.H.W. Hacke and J.J. Oudemans, Putten

  • Acquisition

    gift 1958

  • Copyright

  • Provenance

    Commissioned by the sitter;{Note RMA.} his cousin’s daughter, Maria Theodora Speenhoff, née Krieger (1804-1901), Rotterdam;{Verslagen 1958, p. 12.} her grandson, Johannes Theodorus Oudemans (1862-1934), Putten;{Note RMA.} his daughter, Josina Johanna Hacke, née Oudemans (1894-1966)and her husband Aart Hendrik Willem Hacke (1893-1961), Putten, by whom donated, to the museum, 1958

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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