Portrait of Katharine Elliot (died 1688), Dresser of Duchess Anne of York and First Woman of the Bedchamber of Queen Mary of Modena, the first and second Wives of James II of England, respectively

copy after John Riley, c. 1680 - c. 1700

Portret van Katharine Elliot (overl. 1688). 'Dresser' van Anne, duchess of York en 'first bedchamber woman' van Mary of Modena, respectievelijk de eerste en tweede vrouw van Jacobus II, koning van Engeland. Ten halven lijve in ovale omlijsting, in zwart kostuum. Kopie naar het origineel in Kensington Palace.

  • Artwork typepainting
  • Object numberSK-A-3303
  • Dimensionsheight 76.3 cm x width 63.4 cm x thickness 2.9 cm, depth 4.3 cm
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    Portrait of Katharine Elliot (died 1688), Dresser of Duchess Anne of York and First Woman of the Bedchamber of Queen Mary of Modena, the first and second Wives of James II of England, respectively

  • Object type

  • Object number

    SK-A-3303

  • Description

    Portret van Katharine Elliot (overl. 1688). 'Dresser' van Anne, duchess of York en 'first bedchamber woman' van Mary of Modena, respectievelijk de eerste en tweede vrouw van Jacobus II, koning van Engeland. Ten halven lijve in ovale omlijsting, in zwart kostuum. Kopie naar het origineel in Kensington Palace.


Creation

  • Creation

    painter: copy after John Riley

  • Dating

    c. 1680 - c. 1700

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    • height 76.3 cm x width 63.4 cm x thickness 2.9 cm
    • depth 4.3 cm

This work is about

  • Person

  • Subject


Acquisition and rights

  • Credit line

    Gift of Mr and Mrs Kessler-Hülsmann, Kapelle op den Bosch

  • Acquisition

    gift 1940-03

  • Copyright

  • Provenance

    …; collection Dominicus Antonius Josephus Kessler (1855-1939) and Mrs A.C.M.H. Kessler-Hülsmann (1868-1947), Kapelle op den Bosch, near Mechelen;{Note RMA.} donated, with xx other objects, by Mrs A.C.M.H. Kessler-Hülsmann to the museum, 1940

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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