The Three Crosses

Rembrandt van Rijn (mentioned on object), 1653

When you scratch a line in an etching plate, it produces a small raised edge called a ‘burr’. The burr, which gives drypoint lines such a sumptuous velvety look, wears away quickly. As a result, the decorative effect of the technique diminishes and the representation becomes increasingly lighter. Here Rembrandt solved that problem by making areas of shadow darker again with extra lines, for example under the dog in the foreground.

  • Artwork typeprint
  • Object numberRP-P-OB-617
  • Dimensionsheight 387 mm x width 453 mm
  • Physical characteristicsdroge naald en burijn

Identification

  • Title(s)

    • Christ Crucified between the two Thieves: 'The Three Crosses'
    • The Three Crosses
  • Object type

  • Object number

    RP-P-OB-617

  • Inscriptions / marks

    • collector's mark: Lugt 240
    • signature and date: ‘Rembrandt f 1653’
    • inscription: ‘36 st’
    • inscription: ‘3 3’
  • Catalogue reference

    • Bartsch 78-3(5)
    • Hollstein Dutch 78-3(5)
    • New Hollstein Dutch and Flemish (Rembrandt text) 274-3(5)

Creation

  • Creation

    • printmaker: Rembrandt van Rijn (mentioned on object)
    • after design by Rembrandt van Rijn
  • Dating

    1653

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Material and technique

  • Physical description

    droge naald en burijn

  • Dimensions

    height 387 mm x width 453 mm


This work is about

  • Subject


Acquisition and rights


Documentation


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