The Three Crosses

Rembrandt van Rijn (mentioned on object), 1653

When you scratch a line in an etching plate, it produces a small raised edge called a ‘burr’. The burr, which gives drypoint lines such a sumptuous velvety look, wears away quickly. As a result, the decorative effect of the technique diminishes and the representation becomes increasingly lighter. Here Rembrandt solved that problem by making areas of shadow darker again with extra lines, for example under the dog in the foreground.

  • Artwork typeprint
  • Object numberRP-P-1962-39
  • Dimensionsheight 387 mm x width 455 mm
  • Physical characteristicsdroge naald en burijn, met plaattoon

Identification

  • Title(s)

    • The Three Crosses
    • Christ Crucified between the two Thieves: 'The Three Crosses'
  • Object type

  • Object number

    RP-P-1962-39

  • Inscriptions / marks

    • mark: 2228
    • signature and date: ‘Rembrandt f 1653’ Lugt
    • inscription: ‘C. 13209’
    • inscription: ‘J:Barnard 1747’
  • Catalogue reference

    • Hollstein Dutch 78-3(5)
    • New Hollstein Dutch and Flemish (Rembrandt text) 274-3(5)
    • Bartsch 78-3(5)

Creation

  • Creation

    • printmaker: Rembrandt van Rijn (mentioned on object)
    • after design by Rembrandt van Rijn
  • Dating

    1653

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Material and technique

  • Physical description

    droge naald en burijn, met plaattoon

  • Dimensions

    height 387 mm x width 455 mm


This work is about

  • Subject


Exhibitions


Acquisition and rights

  • Credit line

    Mr and Mrs De Bruijn-van der Leeuw Bequest, Muri, Switzerland

  • Acquisition

    bequest 1962

  • Copyright


Documentation


Persistent URL