The Discovery of Pulcinella’s Grave

Giovanni Battista Tiepolo (mentioned on object), in or before c. 1750

How can Pulcinella’s grave be discovered? After all, Pulcinella is a stock character in the commedia dell’ arte, the improvised Italian theatre. As such he does not actually exist, yet he is nevertheless immortal. However, everything is possible in the world that sprang from Tiepolo’s mind, and so he lies buried here (right foreground). The bone and hourglass emphasize that Pulcinella is also just a human, who has died.

  • Artwork typeprint
  • Object numberRP-P-1950-665
  • Dimensionsheight 223 mm x width 182 mm
  • Physical characteristicsets

Identification

  • Title(s)

    The Discovery of Pulcinella’s Grave

  • Series title(s)

    Scherzi di fantasia

  • Object type

  • Object number

    RP-P-1950-665

  • Inscriptions / marks

    collector's mark: Lugt 2228

  • Catalogue reference

    • De Vesme 29-1(2)
    • Rizzi 20-1(2)

Creation

  • Creation

    • printmaker: Giovanni Battista Tiepolo (mentioned on object), Italy
    • after design by Giovanni Battista Tiepolo
  • Dating

    in or before c. 1750

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Material and technique

  • Physical description

    ets

  • Dimensions

    height 223 mm x width 182 mm


Explanatory note

  • Prent maakt deel uit van serie met drieëntwintig prenten, bekend als Scherzi di fantasia. Na Giovanni Battista Tiepolo's dood werden de prenten in wisselende samenstellingen tot twee keer toe uitgegeven door zijn zoon, Giovanni Domenico. De serie in de collectie van het RMA is gedrukt in de eerste staat voor deze uitgaven, herkenbaar aan het ontbreken van een nummering.


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Purchased with the support of the J.W. Edwin Vom Rath Fonds/Rijksmuseum Fonds

  • Acquisition

    purchase 1950

  • Copyright


Documentation

  • Jaco Rutgers, ‘The dating of Tiepolo’s Capricci and Scherzi’, Print Quarterly 23 (2006) 3, pp. 254-263


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