More expensive than the Night Watch, owned by the Dutch Royal Family and made by the most important European gold- and silversmith of the 17th century. Here are ten things you should know about Paul van Vianen’s gold cup.
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For centuries the gold cup belonged to the Dutch Royal House of Orange
The rulers of the Netherlands for centuries kept this masterpiece in the royal treasure house. In 1881 the German Von Wied family inherited the cup. A Dutch family recently bought the cup and immediately passed it to the Rijksmuseum as a long-term loan.
Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610


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The cup was more expensive than The Night Watch
In the 17th century, many gold and silver artworks were more expensive than paintings. For example, a silver ewer and basin by Van Vianen was valued at seven times the price of The Night Watch at the time it was made.
Basin with Diana and Actaeon, Paulus Willemsz. van Vianen, 1613


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The cup was made by the most important European gold- and silversmith of the 17th century
Paul was born into a family of silversmiths. At the age of 16 he traveled to the royal courts of Europe to work and to learn. In the end he was appointed as silversmith to the royal court of Rudolph II in Prague.
Painted portrait of Paulus van Vianen by Georg Sturm, part of a mural in the Rijksmuseum building
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The gold cup is the only one of Van Vianen’s works that he signed with his full name
This cup is the only known work by Van Vianen that he made from gold and signed with his full name. Here you can see his signature and the date.
Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610 (detail)
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The cup is a warning against adultery
The scenes depicted are from the Ancient Greek myth in which Actaeon spies on Diana as she bathes. She transforms him into a stag, whereupon hunters and hounds chase him down and kill him.
Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610 (detail)
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The cup is decorated with four different scenes
The body of the cup show Diana splashing water on Actaeon, transforming him into a stag; and a stag being hunted and killed. The three gods depicted on top of the lid indicate that love must be fed. The underside of the lid features a portrait of the artist’s client.
Lid of the Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610 (detail)
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The cup’s shape and decorative elements are also significant
The fantastical masks on the lid and around the foot tell us that we are looking at the heavens. The plain band separating the lid from the scene on the body of the cup indicates that the lower scenes are set here on earth.
Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610 (detail)
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The portrait on the underside of the lid of the cup is of Heinrich Julius, Duke of Braunschweig and Lüneburg
He was the man who commissioned Paul van Vianen to make the cup. The marriage of Heinrich Julius’s daughter to Ernst Casimir led to the cup becoming the property of the Royal House of Orange.
Underside of the lid of the Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610 (detail)
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The cup was made by chasing, not casting
Chasing is an exceptionally demanding metalworking technique: working with extreme precision, the goldsmith used a hammer and tiny smooth-tipped chisels to ‘chase’ the metal.
Diana and Actaeon Cup, Paulus Willemsz. van Vianen, 1610
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On the Rijksmuseum’s wish list since its founding
When the Rijksmuseum first opened, a list was drawn up of gold and silver artworks that the museum was keen to have in its collection. The long-term loan of the gold cup means that this wish has at last been fulfilled.
The copy (left) and the original (right)