10 things about American Photography

From the series 10 things...

American Photography explores the fascinating history of photography in the United States. It highlights everything from everyday personal moments to major historical events, showing how photography has become a part of every aspect of our lives since it was invented in the 19th century.

Ming Smith and the Kamoinge Photographers

One man takes centre stage, standing on a street adorned with American flags celebrating the 200th anniversary of the United States. Ming Smith was one of the few women in Kamoinge, a group of Black photographers who came together from 1963. They organized exhibitions, exchanged work, and inspired each other.

America Seen through Stars and Stripes, New York, Ming Smith, 1976. Virginia Museum of Fine Arts, Richmond, Adolph D. and Wilkins C. Williams Fund

Microcosm of American photography

Photography takes many forms, such as this curiobox filled with portraits of roommates, bound together by artfully woven mousetraps. This cherished object serves as a microcosm of American photography—a time capsule that encapsulates an important and influential visual culture.

Curio box made of cigarette packets with portraits of housemates, late 1960s. Daile Kaplan Collection, Pop Photographica, New York

Frozen in Time

This pattern of ice flowers simply demanded to be photographed and preserved for its beauty. It was captured during an era when such practices were far from common, and few could have imagined that photography would one day evolve into a fully recognized art form.

Frost on a Window, Albert Sands Southworth and Josiah Johnson Howes, c. 1850. Nelson Atkins Museum of Art, Kansas City (MO)

Candy art

Because colour photographs were nearly impossible in the first half of the 20th century, the Philadelphia firm of Brandle & Smith had black-and-white photographs coloured by hand. This almost timeless photograph could have been made by Warhol decades later.

Display sample or trade catalogue photograph for Brandle & Smith Co., Schadde Brothers Studio, c. 1915. Rijksmuseum

Pride, style and self-awareness

This photograph of a young man radiates pride and self-awareness. The subject was a client of James Van Der Zee, one of the best-known portrait photographers from Harlem. During the Harlem Renaissance, in the years 1920-1930, art, music, and club life flourished in this New York district. Powerful, stylish portraits became an important element in this cultural resurgence.

Portrait of an Unknown Young Man, Harlem (NY), James Van Der Zee, 1938. Rijksmuseum

Capturing community

Irene Poon was a central figure in the promotion of Asian-American artists. She documented a life that she knew and loved in a series of powerful portraits, such as this photograph of her sister Virginia surrounded by chocolate bars behind the counter in her shop.

Virginia, San Francisco (CA), Irene Poon (1941). San Francisco Museum of Modern Art. Gift of Charles Wong

Celebrating roots

Amanda López is proud of her Mexican roots and expresses this in her work. She took this photograph for a fashion shoot, with her twin sister and three friends posing in a ‘lowrider,’ a car customized to hang low on the road. Lowriders are a cultural phenomenon within the Mexican-American community that has been passed down from generation to generation.

Homegirls, San Francisco, Californië, Amanda López, 1982. Smithsonian’s National Museum of American History

Honest Portraits

The portraits made by Bruce Wrighton, a relatively unknown photographer who died young, are as soft as the pink cardigan worn by this girl at the carnival. Without any thought of effect, he asked people such as the girl or the woman doing shopping to pose. This allowed Wrighton to literally immortalise his subjects in a candid, honest, and dignified manner

Woman in Pink, Carnival, Johnson City (NY), Bruce Wrighton, 1987 Woolworth shopper, Binghamton (NY), Bruce Wrighton, c. 1986-1988

Pioneering experiments

Born to Russian immigrants in California, Hy Hirsh started as a still photographer and cameraman at Columbia Studios. During the 1930s he held a number of solo exhibitions and later transformed into an experimental filmmaker. He also began to take colour slides in which he played with transparency and depth, experimenting with light, warmth, and vibrations in a series of colour abstractions

Untitled (Abstraction), Hy Hirsh, 1950. Rijksmuseum

Unjustifiably overlooked

Poet, etcher, exhibition organizer, founder of Chicago’s etching society, and a member of the Wild Flower Preservation Society—Bertha Evelyn Jaques was a creative all-rounder. Yet, her botanical photograms on cyanotype paper, over a thousand in total, were unjustifiably overlooked until recently. This photogram, capturing a spray from a tree in Honolulu, stands out for its clarity and detail.

Tree-in Governor Gleghorn’s Place, Honolulu, Bertha Evelyn Jaques, 1908. Rijksmuseum