Found:


The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

Portrait of a Woman, Possibly Maria…

Rembrandt van Rijn, 1639, painting, SK-C-597

Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…

On display in room 2.8

Italian Landscape with a…

Jan Both, c. 1650 - 1652, painting, SK-C-109

An artist has found a place to sketch by a wood, near a waterfall – perhaps it is Both himself. Travellers with heavy-laden mules are walking towards a plain bathed in Italian sun. Both was clearly fascinated by the Mediterranean light and stayed in Rome for a long time. Back in the Netherlands, he…

On display in room 2.17

The Milkmaid

Johannes Vermeer, c. 1660, painting, SK-A-2344

A maid concentrates keenly as she pours milk from a jug. It is a quiet, tranquil scene. The only movement is the flow of milk. Vermeer turned a simple composition of a prosaic subject into an intense work of art. It is in the rendering of light that Vermeer truly excelled, painting tiny dots for…

On display in Gallery of Honour

The Sampling Officials of the…

Rembrandt van Rijn, 1662, painting, SK-C-6

Samplers checked the quality of dyed cloth. Here Rembrandt shows them at work, distracted for a moment and looking up. One syndic is about to sit, or stand, so not all the heads are at the same level. A clever trick which, with the confident brushwork and subtle use of light, make this one of the…

On display in Gallery of Honour

The Merry Family

Jan Havicksz. Steen, 1668, painting, SK-C-229

IYoung and old are having a wonderful time: mother and grandmother are singing, the children are playing music and smoking, and father raises his glass. The note on the mantelpiece comments poignantly: ‘as the old sing, so pipe the young’. Steen’s picture brings the saying to life and warns the…

On display in Gallery of Honour

Still Life with a Gilt Cup

Willem Claesz Heda, 1635, painting, SK-A-4830

In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…

On display in Gallery of Honour

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Philips wing, room 1.2

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24

The Fête champêtre

Dirck Hals, 1627, painting, SK-A-1796

Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…

On display in room 2.6