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Lidded ewer
Adam van Vianen (I), 1614, BK-1976-75
On display in room 2.1
The Massacre of the Innocents
Cornelis Cornelisz. van Haarlem, 1590, painting, SK-A-128
On display in room 2.1
Wine fountain and cooler
Alger Mensma (attributed to), 1731, BK-1963-65
This urn and cooler for washing hands and glasses, formed the decorative centrepiece on a luxurious sideboard. Both were presented to Cornelis Schrijver in recognition of his heroism at sea. That is the symbolism of the reliefs of heraldic arms, fish, shells and sea deities.
On display in room 1.1
Two temple guardians
anonymous, c. 1300 - c. 1400, sculpture, AK-RAK-2007-1-B
These guards stand at the entrance to a temple to ward off evil. They are holding a vajra, with which to crush ignorance. Their open and shut mouths represent the first and last letters of the Japanese script: A and N: this symbolises the totality of sounds and letters, of knowledge. Worshippers who…
On display in Asian pavilion, room 2
Italian Landscape with Umbrella…
Hendrik Voogd, 1807, painting, SK-A-4688
Voogd was known as the Dutch Claude, after the French painter Claude Lorrain, who was famous for his historical landscapes bathed in a golden glow. Voogd depicted the garden at Villa Borghese in Rome late in the afternoon: the sun casts long shadows and the trees stand out starkly against the sky.…
On display in room 1.12
Two temple guardians
anonymous, c. 1300 - c. 1400, sculpture, AK-RAK-2007-1-A
On display in Asian pavilion, room 2
Flower pyramid
De Metaale Pot (attributed to), after Lambertus van Eenhoorn, c. 1692 - c. 1700, BK-2004-4-B
In the 17th century, it was all the rage for the wealthy to decorate their homes with fragrant bouquets of flowers in ornamental vases. Special vases were designed for cut flowers. Potters in Delft developed an obelisk model using a pile of successive water basins. These two flower vases are…
Eight Stacked Beams
Carel Visser, 1964, sculpture, BK-2008-4
The eight massive planks that form this abstract sculpture are not stacked in precise symmetry. Each pair of planks is slightly further to the side. It all appears quite natural, yet the stack is impossible to balance. So the construction is a crucial element. In fact there is a seam along all the…
On display in room 3.4
Mantelpiece with relief of Paris…
Jan Baptist Xavery, 1739, BK-1995-3
This chimneypiece was made for the main hall of the house at Rapenburg 48 in Leiden, where Baron Diederik van Leyden lived. Xavery also designed a marble relief for over the doors, and a decorative sculpture for the ceiling. This included a large painting by Jacob de Wit. Tapestries from Brussels…
On display in room 1.2