The Well-stocked Kitchen

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

The Fête champêtre

Dirck Hals, 1627, painting, SK-A-1796

Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

Children of the Sea

Jozef Israëls, 1872, painting, SK-A-2382

This delightful scene contains a moral. These children from a poor fishing village with their shabby clothes and broken toys, are playing out their own future. The oldest boy carries the burden of his family on his shoulders, while the boat represents the harsh life at sea. Jozef Israëls first…