Found:


Lidded ewer

Adam van Vianen (I), 1614, BK-1976-75

On display in room 2.1

Table ornament

Wenzel Jamnitzer, 1549, table piece, BK-17040-A

This receptacle stood on the table on special occasions. Although it was never used for food, since it was far too precious. It was made for the city of Nuremberg in 1549 by Wenzel Jamnitzer, then a world-famous silversmith. Jamnitzer produced incredibly intricate work using a new method. All the…

On display in room 2.3

Interior of the Sint-Odulphuskerk…

Pieter Jansz Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

Isaac and Rebecca, Known as ‘The…

Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216

It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1367

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6

The Sampling Officials of the…

Rembrandt van Rijn, 1662, painting, SK-C-6

Samplers checked the quality of dyed cloth. Here Rembrandt shows them at work, distracted for a moment and looking up. One syndic is about to sit, or stand, so not all the heads are at the same level. A clever trick which, with the confident brushwork and subtle use of light, make this one of the…

On display in Gallery of Honour

Cabinet of a Militia Company

anonymous, c. 1520 - c. 1530, furniture, BK-KOG-656

On display in room 0.4

Book chest of Hugo de Groot

anonymous, c. 1600 - c. 1615, NG-KOG-1208

Traditionally, it was in this case that Hugo de Groot escaped from Loevestein Castle in 1621. He had been serving a life sentence there since 1619. The internationally renowned jurist De Groot (Grotius) had been arrested in 1618 as a political opponent of Prince Maurice. After his escape, De Groot…

On display in room 2.5

The Art Gallery of Jan…

Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100

In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…

On display in room 1.10