Found:


Interior of the Sint-Odulphuskerk…

Pieter Jansz Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

The Merry Family

Jan Havicksz. Steen, 1668, painting, SK-C-229

IYoung and old are having a wonderful time: mother and grandmother are singing, the children are playing music and smoking, and father raises his glass. The note on the mantelpiece comments poignantly: ‘as the old sing, so pipe the young’. Steen’s picture brings the saying to life and warns the…

On display in Gallery of Honour

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6

Self-portrait as the Apostle Paul

Rembrandt van Rijn, 1661, painting, SK-A-4050

Here, Rembrandt is about 55. In this portrait he represents St Paul, the apostle, identified by his usual attributes: a manuscript and a sword, of which the hilt extends from under the cloak. The self portrait is typical of Rembrandt’s late style of painting: he used the paint structure in the…

On display in Gallery of Honour

The Holy Kinship

Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500

Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…

On display in room 0.1

Self-portrait

Rembrandt van Rijn, c. 1628, painting, SK-A-4691

Despite his lack of experience, the young Rembrandt was not afraid to experiment. In this early self portrait the light brushes past his right cheek. The rest of the face is cloaked in shadow. It takes a moment to realise that the artist is staring intently, directly at the viewer. Rembrandt used…

On display in room 2.8

Fishing for Souls

Adriaen Pietersz van de Venne, 1614, painting, SK-A-447

Protestants (left) and Catholics (right) are competing for adherents by a river. The politicsal nature of the struggle between Protestants and Catholics is reflected in the presence of powerful rivals on either side. Left: Stadholder Prince Maurice and his brother Frederick Henry with their allies.…

On display in room 2.5

Weepers from the tomb of Isabella…

Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33

Dolls’ house of Petronella Oortman

anonymous, c. 1686 - c. 1710, furniture, BK-NM-1010

The exterior of this dolls house is a work of art in its own right, with its mother-of-pearl and pewter veneer. The owners’ initials - Petronella Oortman and her husband Johannes Brandt, a cloth merchant in Amsterdam - are inlaid on both sides. Remarkably, all the domestic furnishings were made…

On display in room 2.20