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Seated Cupid
Étienne-Maurice Falconet, 1757, sculpture, BK-1963-101
This famous statue already had many nicknames in the 18th century. Perhaps the best known is l’amour menaçant - menacing love. The menace is mainly in the love god’s expression, while his gesture makes us complicit, through silence. The statue was carved for Madame de Pompadour, mistress of Louis XV…
On display in room 1.9
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-C
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-F
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-I
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-J
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-H
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-B
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
The Meeting of Joachim and Anna
Master of Joachim and Anne, c. 1470, sculpture, BK-NM-88
Joachim and Anna were childless for many years. Until Anna’s prayers were answered and she miraculously conceived a daughter, Mary. Joyous at the news, they embrace each other tenderly. This intimate, almost timeless scene was once part of a large altar depicting stories about the life of the Virgin…
On display in room 0.1
Children of the Sea
Jozef Israëls, 1872, painting, SK-A-2382
This delightful scene contains a moral. These children from a poor fishing village with their shabby clothes and broken toys, are playing out their own future. The oldest boy carries the burden of his family on his shoulders, while the boat represents the harsh life at sea. Jozef Israëls first…
On display in room 1.18
Portrait of Jacob Cornelisz van…
Jacob Cornelisz van Oostsanen (workshop of), c. 1533, painting, SK-A-1405
Self portraits signal a growing awareness among artists of their own role. This work was long thought to be the earliest self portrait of an artist in the Northern Netherlands. Jacob Cornelisz is looking directly at the viewer; behind him on a piece of paper is the date, 1533, and the artist’s…
On display in room 0.6