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Shiva Nataraja
anonymous, c. 1100 - c. 1200, sculpture, AK-MAK-187
Shiva is depicted here as Nataraja (Lord of the Dance), standing in a ring of fire in the anandatandava position. He is both the creator and destroyer of the world. He is standing on a dwarf, symbolising ignorance. Richly decorated bronze statues of Hindu gods like this are carried in processions…
On display in Asian pavilion, room 1
The bodhisattva Manjushri
anonymous, c. 800 - c. 900, sculpture, AK-MAK-240
In China, Manjushri is venerated as one of the first advocates of Buddhism. On Java he appears as a young man wearing straps of jewellery across his chest. This Manjushri is probably gesturing the turning of the wheel of wisdom: this symbolises the start of the Buddhist cycle of learning and the…
On display in Asian pavilion, room 1
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-G
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-J
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-D
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-H
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-B
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
River Landscape with Riders
Aelbert Cuyp, c. 1653 - 1657, painting, SK-A-4118
Travellers are resting their horses in a sun-soaked river landscape. To judge from their orange shawls, they seem to be Dutch army officers. Cuyp saw these steep hills when he travelled along the River Rhine between Nijmegen and Cleves. It was probably the sketches he drew there that formed the…
On display in Gallery of Honour
Still Life with Cheese
Floris Claesz van Dijck, c. 1615, painting, SK-A-4821
Food is arranged here on a costly damask tablecloth: fruit, bread, cheese. In the 17th century, this kind of painting was known as a ‘breakfast’. Vivid colours contrast with each other. Each item is carefully placed. And by viewing the table from a high angle, Van Dijck ensured that no object was…
On display in Gallery of Honour
Portrait of a Couple, Probably…
Frans Hals, c. 1622, painting, SK-A-133
The fabulously wealthy Haarlem merchant and his wife commissioned their friend Frans Hals to paint their portrait in an unusual way. Seventeenth-century couples rarely appear together in a single painting, especially in such a nonchalant pose. Hals included all kinds of symbols of love in the…