Self-portrait

Johan Gregor van der Schardt, c. 1573, bust, BK-2000-17

The Well-stocked Kitchen

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

The Seven Works of Mercy

Master of Alkmaar, 1504, painting, SK-A-2815

A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

Children of the Sea

Jozef Israëls, 1872, painting, SK-A-2382

This delightful scene contains a moral. These children from a poor fishing village with their shabby clothes and broken toys, are playing out their own future. The oldest boy carries the burden of his family on his shoulders, while the boat represents the harsh life at sea. Jozef Israëls first…

The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

Portrait of a Member of the Van der…

Cornelis Troost, 1736, painting, SK-A-3948

The portrait conveys a sense of convivial hospitality, as if the man were inviting us into his home to enjoy his art and music. In a typically 18th-century way, the portrait has no sense of distance, of authority. It introduces us directly to the open personality of this enthusiastic young member of…

Portrait of Jacob Cornelisz van…

Jacob Cornelisz van Oostsanen (workshop of), c. 1533, painting, SK-A-1405

Self portraits signal a growing awareness among artists of their own role. This work was long thought to be the earliest self portrait of an artist in the Northern Netherlands. Jacob Cornelisz is looking directly at the viewer; behind him on a piece of paper is the date, 1533, and the artist’s…

A Mother Delousing her Child’s…

Pieter de Hooch, c. 1658 - c. 1660, painting, SK-C-149

A mother is inspecting her child’s hair for lice. They are in a sober Dutch interior, with Delft blue tiles and a bedstead. The chair on the right is a children’s toilet, with a built-in chamber pot. Through the door we see the back room, and catch a glimpse of the garden. These views into the…