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Cupboard
Herman Doomer, c. 1635 - c. 1645, furniture, BK-1975-81
Among the possessions left by cabinetmaker Herman Doomer of Amsterdam was a costly ‘large ebony cupboard inlaid with mother-of-pearl’. It was probably this piece of furniture, which is veneered entirely with ebony and decorated with mother-of-pearl inlay. With its diagonally protruding corners and…
On display in Gallery of Honour
Weepers from the tomb of Isabella…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33
Desk
Abraham Roentgen, c. 1758 - c. 1760, BK-16676
This desk has numerous secret compartments and drawers and even includes a fold-out prie-dieu. It was made for Johann Philipp von Walderdorff, archbishop and elector of Trier, and is decorated at the top with his portrait and heraldic arms. The desk is the most expensive showpiece ever made by…
On display in room 1.9
Dolls’ house of Petronella Oortman
anonymous, c. 1686 - c. 1710, furniture, BK-NM-1010
The exterior of this dolls house is a work of art in its own right, with its mother-of-pearl and pewter veneer. The owners’ initials - Petronella Oortman and her husband Johannes Brandt, a cloth merchant in Amsterdam - are inlaid on both sides. Remarkably, all the domestic furnishings were made…
On display in room 2.20
View of Houses in Delft, Known as…
Johannes Vermeer, c. 1658, painting, SK-A-2860
An unusual painting in Vermeer’s oeuvre: a few houses and a couple of people in a quiet street. Vermeer gave the scene a palpable sense of tension and balance. The old walls, worn bricks and white plaster are almost tangible. What part of Delft this shows is no longer known.
On display in Philips wing, room 1.7
Italian Landscape with a…
Jan Both, c. 1650 - 1652, painting, SK-C-109
An artist has found a place to sketch by a wood, near a waterfall – perhaps it is Both himself. Travellers with heavy-laden mules are walking towards a plain bathed in Italian sun. Both was clearly fascinated by the Mediterranean light and stayed in Rome for a long time. Back in the Netherlands, he…
The Milkmaid
Johannes Vermeer, c. 1660, painting, SK-A-2344
A maid concentrates keenly as she pours milk from a jug. It is a quiet, tranquil scene. The only movement is the flow of milk. Vermeer turned a simple composition of a prosaic subject into an intense work of art. It is in the rendering of light that Vermeer truly excelled, painting tiny dots for…
On display in Philips wing, room 1.7
Floral Still Life
Hans Bollongier, 1639, painting, SK-A-799
While this ample bouquet appears quite natural, tulips, anemones, roses and carnations all have different seasons. Yet Bollongier combined them into a harmonious composition. This still life was painted following the financial collapse of 1637, when many lost their fortunes speculating in tulip…
Woman Reading a Letter
Johannes Vermeer, c. 1663, painting, SK-C-251
In a quiet, private moment, a young woman stands, engrossed in reading a letter. It is morning, and she is still wearing her blue nightrobe. All the other colours are subordinate to its radiant lapis lazuli; yellow and red hardly make an appearance. Vermeer rendered the different effects of the cool…
On display in Philips wing, room 1.4
The Merry Family
Jan Havicksz. Steen, 1668, painting, SK-C-229
IYoung and old are having a wonderful time: mother and grandmother are singing, the children are playing music and smoking, and father raises his glass. The note on the mantelpiece comments poignantly: ‘as the old sing, so pipe the young’. Steen’s picture brings the saying to life and warns the…
On display in Gallery of Honour