Found:


Self-portrait

Johan Gregor van der Schardt, 1573, bust, BK-2000-17

On display in room 2.3

Lidded ewer

Adam van Vianen (I), 1614, ewer, BK-1976-75

On display in room 2.1

Giuliano & Francesco Giamberti da…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1368

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

The Night Watch Militia Company of…

Rembrandt van Rijn, 1642, painting, SK-C-5

Rembrandt’s largest, most famous canvas was made for the Arquebusiers guild hall. This was one of several halls of Amsterdam’s civic guard, the city’s militia and police. Rembrandt was the first to paint figures in a group portrait actually doing something. The captain, dressed in black, is…

On display in Nightwatch gallery

The Threatened Swan

Jan Asselijn, c. 1650, painting, SK-A-4

With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby. Showing the scene from a low angle emphasises the bird’s power. The inscriptions are a later addition and have a political message. They refer to the Dutch political leader Johan de Witt, who…

On display in Gallery of Honour

Interior of the Sint-Odulphuskerk…

Pieter Jansz Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Isaac and Rebecca, Known as ‘The…

Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216

It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1367

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…