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Portrait of a Woman, Possibly Maria…

Rembrandt van Rijn, 1639, painting, SK-C-597

Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…

On display in room 2.8

Interior of the Sint-Odulphuskerk…

Pieter Jansz Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1367

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

Still Life with Cheese

Floris Claesz van Dijck, c. 1615, painting, SK-A-4821

Food is arranged here on a costly damask tablecloth: fruit, bread, cheese. In the 17th century, this kind of painting was known as a ‘breakfast’. Vivid colours contrast with each other. Each item is carefully placed. And by viewing the table from a high angle, Van Dijck ensured that no object was…

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1368

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

Seated Cupid

Étienne-Maurice Falconet, 1757, sculpture, BK-1963-101

This famous statue already had many nicknames in the 18th century. Perhaps the best known is l’amour menaçant - menacing love. The menace is mainly in the love god’s expression, while his gesture makes us complicit, through silence. The statue was carved for Madame de Pompadour, mistress of Louis XV…

On display in room 1.9

Portrait of Andries de Graeff

Artus Quellinus (I), 1661, bust, BK-18305

The De Graeffs were one of the leading merchant families of Amsterdam and highly influential. Like his father and brother, Andries was also a burgomaster. The superb bust was carved by Quellinus, who had been brought from Antwerp to Amsterdam to create sculptures for the new town hall. The plinth…

On display in room 2.18

Portrait of Michiel de Ruyter

Rombout Verhulst, in or after 1677 - in or before 1681, sculpture, BK-NM-13150

Admiral De Ruyter was severely wounded in a battle against the French in the Mediterranean Sea in 1676. He died of his wounds and was buried in a place of honour in Amsterdam’s New Church. This bust was a model for the tomb.

On display in room 2.15

Winter Landscape with Ice Skaters

Hendrick Avercamp, c. 1608, painting, SK-A-1718

Hendrick Avercamp turned the winter landscape into a subject in its own right. A typical feature of his early work is the high horizon. This enabled Avercamp to focus on the dozens of figures on the ice. He showed all kinds of uncouth details in this bird’s-eye view, including couples making love…

On display in room 2.6