Found:


Blue Macaw

Meissener Porzellan Manufaktur, 1731, BK-17496

German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals…

Shiva Nataraja

anonymous, c. 1100 - c. 1200, sculpture, AK-MAK-187

Shiva is depicted here as Nataraja (Lord of the Dance), standing in a ring of fire in the anandatandava position. He is both the creator and destroyer of the world. He is standing on a dwarf, symbolising ignorance. Richly decorated bronze statues of Hindu gods like this are carried in processions…

On display in Asian pavilion, room 1

Guanyin

anonymous, c. 1100 - c. 1200, sculpture, AK-MAK-84

The Buddhist deity Guanyin, who rescues people in need, is shown here meditating, seated on a rock. According to legend, he was once discovered in this position, meditating on the moon’s reflection in the water - in Buddhism a symbol of illusion and transience. His pose and facial expression embody…

On display in Asian pavilion, room 2

The bodhisattva Manjushri

anonymous, c. 800 - c. 900, sculpture, AK-MAK-240

In China, Manjushri is venerated as one of the first advocates of Buddhism. On Java he appears as a young man wearing straps of jewellery across his chest. This Manjushri is probably gesturing the turning of the wheel of wisdom: this symbolises the start of the Buddhist cycle of learning and the…

On display in Asian pavilion, room 1

The Art Gallery of Jan…

Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100

In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…

On display in room 1.10

The Seven Works of Mercy

Master of Alkmaar, 1504, painting, SK-A-2815

A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…

On display in room 0.4

Self-portrait

Vincent van Gogh, 1887, painting, SK-A-3262

After he heard his brother Theo describe the new colourful style of French art, Vincent decided in 1886 to move to Paris. He soon began experimenting with the new idiom in a series of self portraits. This was mainly to spare the expense of using models. Here he painted himself as a debonnaire…

On display in room 1.18

Portrait of William I, Prince of…

Adriaen Thomasz. Key, c. 1579, painting, SK-A-3148

Of all the nobles in the Low Countries to join the revolt against the Spanish crown, the foremost was William of Orange (1533-1584). Raised at the court of Charles V, he was a consummate diplomat: hence his nickname, the Silent. He emerged as the leader of the insurrection against Spain. In 1580,…

On display in room 2.1

The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

Portrait of a Member of the Van der…

Cornelis Troost, 1736, painting, SK-A-3948

The portrait conveys a sense of convivial hospitality, as if the man were inviting us into his home to enjoy his art and music. In a typically 18th-century way, the portrait has no sense of distance, of authority. It introduces us directly to the open personality of this enthusiastic young member of…

On display in room 1.1