Found:


Blue Macaw

Meissener Porzellan Manufaktur, 1731, BK-17496

German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals…

On display in room 1.4

Cupboard

Herman Doomer, c. 1635 - c. 1645, furniture, BK-1975-81

Among the possessions left by cabinetmaker Herman Doomer of Amsterdam was a costly ‘large ebony cupboard inlaid with mother-of-pearl’. It was probably this piece of furniture, which is veneered entirely with ebony and decorated with mother-of-pearl inlay. With its diagonally protruding corners and…

On display in Gallery of Honour

Chest with nine bottles

anonymous, c. 1680 - c. 1700, chest, NG-444

The box was probably made in Batavia (Jakarta). The bottles are from Japan. They would have been used for expensive spice oils to prepare food, perfumes or medicines. Representatives of the Dutch East India Company (VOC) would present these as gifts to Asian potentates.

On display in room 2.9

Desk

Abraham Roentgen, c. 1758 - c. 1760, BK-16676

This desk has numerous secret compartments and drawers and even includes a fold-out prie-dieu. It was made for Johann Philipp von Walderdorff, archbishop and elector of Trier, and is decorated at the top with his portrait and heraldic arms. The desk is the most expensive showpiece ever made by…

On display in room 1.9

The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

On display in room 0.6

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Gallery of Honour

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…