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Shiva Nataraja
anonymous, c. 1100 - c. 1200, sculpture, AK-MAK-187
Shiva is depicted here as Nataraja (Lord of the Dance), standing in a ring of fire in the anandatandava position. He is both the creator and destroyer of the world. He is standing on a dwarf, symbolising ignorance. Richly decorated bronze statues of Hindu gods like this are carried in processions…
On display in Asian pavilion, room 1
Desk
Abraham Roentgen, c. 1758 - c. 1760, BK-16676
This desk has numerous secret compartments and drawers and even includes a fold-out prie-dieu. It was made for Johann Philipp von Walderdorff, archbishop and elector of Trier, and is decorated at the top with his portrait and heraldic arms. The desk is the most expensive showpiece ever made by…
On display in room 1.9
Clock and gunpowder horn
anonymous, c. 1590 - c. 1596, clockwork, NG-NM-7687
In 1596, Willem Barentsz, Jacob van Heemskerck and fifteen others spent the winter in an improvised shelter on the island of Nova Zembla off the north coast of Russia. Confined to their hut in the middle of the Polar winter, the men had no sense of night or day. A clock on the wall told the time,…
On display in room 2.9
Blue Macaw
Meissener Porzellan Manufaktur, 1731, BK-17496
German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals…
On display in room 1.4
Portrait of William I, Prince of…
Adriaen Thomasz. Key, c. 1579, painting, SK-A-3148
Of all the nobles in the Low Countries to join the revolt against the Spanish crown, the foremost was William of Orange (1533-1584). Raised at the court of Charles V, he was a consummate diplomat: hence his nickname, the Silent. He emerged as the leader of the insurrection against Spain. In 1580,…
On display in room 2.1
The Sick Child
Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059
A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…
Portrait of a Member of the Van der…
Cornelis Troost, 1736, painting, SK-A-3948
The portrait conveys a sense of convivial hospitality, as if the man were inviting us into his home to enjoy his art and music. In a typically 18th-century way, the portrait has no sense of distance, of authority. It introduces us directly to the open personality of this enthusiastic young member of…
On display in room 1.1
Lidded ewer
Adam van Vianen (I), 1614, BK-1976-75
On display in room 2.1
Ten weepers from the tomb of…
Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476, tomb figure, BK-AM-33-H
Isabella of Bourbon, wife of Charles the Bold, duke of Burgundy, Brabant and Limburg and count of Flanders, Holland and Zeeland, died in 1465. He had a superb tomb made for her at St Michiel’s Abbey in Antwerp. Around it stood 24 figures of grieving relatives and ancestors - called weepers. They…
On display in room 0.4
The Meeting of Joachim and Anna
Master of Joachim and Anne, c. 1470, sculpture, BK-NM-88
Joachim and Anna were childless for many years. Until Anna’s prayers were answered and she miraculously conceived a daughter, Mary. Joyous at the news, they embrace each other tenderly. This intimate, almost timeless scene was once part of a large altar depicting stories about the life of the Virgin…
On display in room 0.1