High Society

December 1 2017 - 11:06 AM Exhibition

International masterpieces at the Rijksmuseum from Cranach to Velázquez, Rembrandt and Manet.

From 8 March to 3 June 2018, the Dutch national museum, the Rijksmuseum, is presenting High Society. Over thirty-five life-size portraits of powerful princes, eccentric aristocrats and fabulously wealthy citizens by the great masters of art history, including Cranach, Veronese, Velázquez, Reynolds, Gainsborough, Sargent, Munch and Manet. The centrepiece will be Rembrandt’s spectacular wedding portraits, Marten Soolmans and Oopjen Coppit which will be shown for the first time following their restoration. Never before has there been an exhibition dedicated to this most glamorous type of portrait: life-size, standing and full length. Loans have come from museums and private collections from all over the world including Paris, London, Florence, Vienna and Los Angeles.

High Society also gives a glimpse into the informal life of the well-to-do. More than eighty prints and drawings from the Rijksmuseum's own collection show what went on behind closed doors: parties, drinks, gambling and amorous encounters.

International masterpieces

The works vary from the early sixteenth to the start of the twentieth century. Masterpieces include the impressive portraits of Henry the Pious, Duke of Saxony, and Catharina, Countess of Mecklenburg by Lucas Cranach the Elder (1514), the married couple Iseppo da Porto and Livia da Porto Thiene with their children by Veronese (1555), Don Pedro de Barberana y Aparregui by Velázquez (ca. 1631-33), Portrait Jane Fleming by Sir Joshua Reynolds (1778/79), The Artist by Edouard Manet (1875) and of course Marten Soolmans and Oopjen Coppit by Rembrandt (1634).

veronese Paolo Veronese, Count Iseppo da Porto / Countess Livia da Porto Thiene, c. 1552. Baltimore, Walters Art Museum and Florence, Galleria degli Uffizi, Contini Bonacossi Collection

Four centuries of fashion

Most of the people portrayed are very lavishly dressed, giving the exhibition an overview of four centuries of fashion: from the tightly cut trousers and doublet from 1514 to the haute couture of the late nineteenth century. Some of the subjects portrayed, however, are wearing fancy garments in an antique style. Another is wearing a kilt, yet another is not wearing trousers and one is almost completely naked. Remarkably, those portrayed often have dogs with them. One man is accompanied by a lion. One couple have their children with them. The backgrounds can be richly decorated interiors, often with columns and/or curtains, or a summer or winter landscape. One man is standing in front of an imaginary landscape with palm trees, while another is adopting a flamboyant pose in front of the Colosseum in Rome.

Vices

Whereas the life-size portraits show the well-to-do in their Sunday best, three rooms in the exhibition are devoted to activities that take place for the most part behind closed doors: parties, drinks, gambling, amorous encounters and brothel visits. Based on the vices of Gluttony, Greed and Lust, more than eighty prints and drawings from the collection of the Rijksmuseum have been assembled, many showing humorous and satirical scenes, often with a strong moralizing message in the inscriptions.

meno Portret van Marten Soolmans / Portret van Oopjen Coppit, Rembrandt Harmensz. van Rijn, 1634

Rembrandt’s Marten and Oopjen

High Society celebrates the acquisition of Rembrandt’s spectacular wedding portraits of Marten Soolmans and Oopjen Coppit by the Netherlands (Rijksmuseum) and France (Musée du Louvre) in 2016 from a private collection. The wedding couple is the only couple that Rembrandt ever painted life-size, standing and full length (1634). The paintings are on display in the exhibition for the first time since their restoration – completed at the beginning of 2018. The High Society exhibition is the overture to the Year of Rembrandt in 2019, during which the 350th anniversary of the death of the artist will be extensively celebrated.

Sponsors and patrons

The exhibition High Society is made possible by the Blockbusterfonds, ING, FedEx and the Patrons of the Rijksmuseum.

The conservation treatment of Rembrandt’s portraits of Marten Soolmans and Oopjen Coppit is made possible by the Irma Theodora Fonds/Rijksmuseum Fonds, Philips and the Cevat Fonds/Rijksmuseum Fonds.

The Portraits of Marten Soolmans and Oopjen Coppit by Rembrandt are jointly purchased by the Kingdom of the Netherlands and the Republic of France in 2016. Rijksmuseum Collection and Musée du Louvre Collection.

Publication

High Society by Jonathan Bikker (Rijksmuseum research curator)
Dutch and English edition
Available from March 2018 in the Rijksmuseum shop, from rijksmuseum.nl/shop and bookshops.

Ticket sales

Tickets can be booked in advance online.
At the time of the exhibition, tickets can also be purchased on the spot.
There is no supplement.

Special events

Walk-in tour
Every Sunday (from 11 March through 3 June 2018), 1 p.m. – 2 p.m.
€ 5 p.p. (excl. museum ticket)
Also available as a group tour: € 75 per group of max. 15 people

An Evening of High Society
Visit the exhibition after opening hours of the museum while enjoying some drinks, bites and live music.
- Friday 6 April, theme: Muses of Fashion
- Friday 13 April, theme: Feel like High Society
- Friday 18 May, theme: Love is in the air

Lecture: Marten and Oopjen under investigation.
Sunday, 15 April 2018
Speaker: Susan Smelt, restorer

Lecture: High Society
Sunday, 29 April 2018
Speakers: Jonathan Bikker, curator of reseach, Jane Turner, head of the Rijksprentenkabinet and Jort Kelder.

View background information about the exhibition (pdf)

Downloads

Paolo Veronese, Count Iseppo da Porto (c. 1500–1580) and his Son Leonida, c. 1552. Florence, Galleria degli Uffizi, Contini Bonacossi Collection
Paolo Veronese, Countess Livia da Porto Thiene and her Daughter Deidamia, c. 1552. The Walters Art Museum, Baltimore, Maryland
Lucas Cranach the Elder, Catherine, Countess of Mecklenburg, 1515. Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden
Lucas Cranach the Elder, Henry the Pious, Duke of Saxony, 1514. Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden
John Singer Sargent, Dr Pozzi at home, 1881. The Armand Hammer Collection, Gift of the Armand Hammer Foundation. Hammer Museum, Los Angeles
Giovanni Boldini, Marchesa Luisa Casati with a Greyhound, 1908. Private collection
Sir Joshua Reynolds, Jane Fleming, later Countess of Harrington, c. 1778–79. San Marino, The Huntington Library, Art Collections and Botanical Gardens
Cornelis Troost, Prince Eugene of Savoy Vetting a Line-up of Prostitutes, c. 1720. Rijksmuseum, Amsterdam
Willem Basse, A Woman Seated on a Man’s Lap, c. 1640 - voor 1672. Rijksmuseum, Amsterdam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam
Photo: Rijksmuseum/David van Dam

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